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Narratives of Ambivalence

The Ethics of Vulnerability and Agency in Research with Girls in the Sex Trade

Alexandra Ricard-Guay and Myriam Denov

a relational space of intersubjectivity. Ethics embraces much more than the institutional rules, requirements, and guidelines of conduct, and constitutes a continuum as well as a process, and in that sense a relational and interactional process. By

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“Hot-for-Teacher”

Statutory Rape or Postfeminism in Pretty Little Liars?

Shara Crookston

-hallways-bullying-teasing-and-sexual-harassment-in-school.pdf (accessed 9 May 2017 ). Angelides , Steven . 2009 . “ Inter/subjectivity, Power and Teacher-student Sex Crime. ” Subjectivity 26 : 87 – 108 . 10.1057/sub.2008.32 Armstrong , Jennifer . 2010 . “ Pretty Little Liars: Four New Books on the Way

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Way to Go

The Significance of Place for Girls and Girlhood Studies

Eva Hoffmann

-daughter narratives takes Jessica Benjamin’s notion of intersubjectivity as a point of departure for her argument that “coming of age is first and foremost an imagined relation, and more precisely, a matter (indeed, a project) of reimagining the past through the

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Conditional Freedom

A Portrait of Young Men's Sense of Belonging to the Street in Maputo, Mozambique

Andrea Moreira

defining them as objects of study to as great an extent as possible. My relationships with the young men were based upon intersubjectivity as a condition for communication ( Fabian 2014 ). As a foreign white woman, an “outsider” to the group in terms of

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Anastasia Todd

intersubjective intensity that can exceed emotion, and, like Sara Ahmed (2004) , I argue that it works to shape the surface of bodies. Moved by the affective responses, Poynter decided to change direction with her YouTube channel: she is now a Deaf vlogger

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Chong-ro

A Space of Belonging for Young Gay Men in Seoul

Elias Alexander

is the spatial location of subjectivities, intersubjectivities and identities that transform space into places” ( Low 2017: 32 ). In this way, meaning is cocreated through an amassing of like individuals; such a happening follows along the lines of

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Redefining Representation

Black Trans and Queer Women’s Digital Media Production

Moya Bailey

have interactions across the network not only with the two of them. Here, #girlslikeus has become intersubjective and tends toward decentralization. Though it tends toward this decentralization, it is significant to note that #girlslikeus—even in the

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“There’s nothing makeup cannot do”

Women Beauty Vloggers’ Self-Representations, Transformations, and #thepowerofmakeup

Michele White

practice” (42). Cahill argues that differentiating between the “process and product of beautification allows us to isolate those aesthetic, inter-subjective, and embodied elements that empower rather than disempower women.” Beauty vloggers propose that