This article begins from the premise that modern American drama provides a useful and understudied archive of representations of mobility. It focuses on plays set on the New York City subway, using the performance studies concept of “restored behavior” to understand the way that these plays repeat and heighten the experience of subway riding. Through their repetitions, they make visible the psychological consequences of ridership under the historical and cultural constraints of the interwar period. Elmer Rice's 1929 play The Subway is read as a particularly rich exploration of the consequences of female passenger's presumed passivity and sexualization in this era. The Subway and plays like it enable scholars of mobility to better understand the ways that theatrical texts intervene in cultural conversations about urban transportation.
Theorizing Mobility through Modern Subway Dramas
Moments in the History of African-American Masculine Mobilities
out of sync with the general demographics of New York City. In 2011, for instance, “While black and Latino males between the ages of 14 and 24 account for only 4.7% of the city’s population, they accounted for 41.6% of those stopped.” If we limit the
The 11th Annual Bicycle Film Festival
The Bicycle Film Festival (BFF) has grown from a minor grassroots event to a global “Fest” staging urban cycling events in over two dozen cities worldwide. In its 11th year in New York City, the “BFF” New York (June 22–26, 2011) intends to provide its participants with a “weekend full of bike movies, music, art, street party and after parties,”1 before going on tour around the globe. Festival cities include Amsterdam, Athens, Lisbon, London, Los Angeles, Milan, Paris, Sao Paolo, Sydney, Taiwan, Tokyo, Vienna.
American Street Preaching and the Rhythms of War
preached on the streets of New York City as Reverend Billy of the Church of Stop Shopping, an anti-capitalist street preacher who exorcises demons from ATMs, teaches that Mickey Mouse is the Antichrist, and warns the public of the impending Shopocolypse
Keith Egan, Mathias Thaler, Anna Fedele, Maarit Forde, Tuomas Martikainen, Kim Knibbe, Maria M. Griera, Katerina Seraidari, José Mapril, Roger Canals, Diana Espirito Santo, Titus Hjelm, Vlad Naumescu, Vânia Zikán Cardoso, Mathieu Fribault, Rebecca Prentice, Ryan Schram, Jacqueline Ryle, Alexandre Surrallés, James S. Bielo, César Ceriani Cernadas, and Maïté Maskens
BENTLEY, Alex (ed.), The Edge of Reason? Science and Religion in Modern Society, 222 pp., foreword. London: Continuum, 2008. Paperback, £13.99. ISBN: 9781847062185.
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GUADELOUPE, Francio, Chanting Down the New Jerusalem: Calypso, Christianity, and Capitalism in the Caribbean, 255 pp., illustrations, notes, references, index. Berkeley: University of California Press, 2009. Hardback, $50.00/£34.95. ISBN: 9780520254886.
HACKETT, Rosalind (ed.), Proselytization Revisited: Rights Talk, Free Markets and Culture Wars, 480 pp. London: Equinox, 2008. Paperback, £18.99/$29.95. ISBN: 9781845532277.
JACKSON, Michael, The Palm at the End of the Mind: Relatedness, Religiosity and the Real, 256 pp., preface. Durham: Duke University Press, 2009. Paperback, $22.95. ISBN: 9780822343813.
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MAHIEU, Stéphanie and Vlad NAUMESCU (eds.), Churches In-Between. Greek Catholic Churches in Postsocialist Europe, 340 pp., bibliographical references, tables, index. Munster: Lit Verlag, 2008. Paperback, € 29.90. ISBN: 9783825899103.
MARRANCI, Gabriele, The Anthropology of Islam, 224 pp., introduction, conclusion, references. Oxford: Berg, 2008, Paperback, £13.38. ISBN: 9781845202859.
MEYER, Birgit (ed.), Aesthetic Formations: Media, Religion, and the Senses, 292 pp., illustrations, preface, bibliography, index. New York: Palgrave Macmillan, 2009. Hardcover, $90. ISBN: 9780230605558.
PALMIÉ, Stephan (ed.), Africa of the Americas: Beyond the Search for Origins in the Study of Afro-Atlantic Religions, 388 pages, preface. Leiden: Brill, 2008, Volume 33 of Studies of Religion in Africa: Supplements to the Journal of Religion in Africa. Hardback, €88.00/US$ 126.00. ISBN: 9789004164727.
PETERSEN, Jesper Aagaard (ed.), Contemporary Religious Satanism: A Critical Anthology, xii + 277 pp., index. Farnham, UK: Ashgate, 2009. Hardback, £55.00. ISBN: 9780754652861.
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SARRÓ, Ramon, The Politics of Religious Change on the Upper Guinea Coast: Iconoclasm Done and Undone, xviii + 239 pp., maps, figures, glossary, bibliography, index. Edinburgh: Edinburgh University Press for the International African Institute, 2009. Hardback, £55. ISBN: 9780748635153.
SCHMIDT, Bettina E., Caribbean Diaspora in the USA: Diversity of Caribbean Religions in New York City, 208 pp., figures, bibliography, index. Aldershot: Ashgate, 2008. Hardback, £55.00. ISBN: 9780754663652.
STEWART, Pamela J. and Andrew STRATHERN (eds.), Religious and Ritual Change: Cosmologies and Histories, 371 pp., preface, appendix, index. Durham, NC: Carolina Academic Press, 2009. Paperback, $50. ISBN: 9781594605765.
TOMLINSON, Matt, In God’s Image: The Metaculture of Fijian Christianity, 263 pp., preface, index, references. Berkeley: University of California Press, 2009. Paperback, $21.95/£14.95. ISBN: 9780520257788.
TREMLETT, Paul-François, Lévi-Strauss on Religion: The Structuring Mind, 132 pp., bibliographical references, index. London: Equinox, 2008. Paperback, £14.99/$24.95. ISBN: 9781845532789.
VILAÇA, Aparecida and Robin M. WRIGHT (eds.), Native Christians: Modes and Effects of Christianity among Indigenous Peoples of the Americas, 266 pp., index, illustrations, maps, afterword. Aldershot: Ashgate, 2008. Hardback, £55. ISBN: 9780754663553.
CANALS, Roger (dir.). 2008. The Many Faces of a Venezuelan Goddess. Paris: CNRS. 55 min., color.
MOTTIER, Damien (dir.). 2007. Prophète(s). France, Les Films de la Jetée. 46 minutes, color.
The Art and Child Artists of the Carrolup Native School and Settlement, Western Australia
Ellen Percy Kraly and Ezzard Flowers
World Gallery in New York City, had purchased the collection from Rutter in 1956. Mayer likely showed some works in his 1962 exhibition of international children’s art. He donated many works to Colgate, including boxes of Carrolup artwork, labeled
Patti Tamara Lenard and Laura Madokoro
cities, states, and so on. In such cases, sanctuary is often defined in the negative. For instance, New York City's sanctuary legislation, establishes that “no New York City resources can be used for federal immigration enforcement purposes” ( Espinal
Mobility Studies and Social Change during a Pandemic
as of late April 2020, at the height of social distancing, indicated steep reductions in public transit, but a continuing need for “skeleton” essential services to be maintained. In April 2020, for example, New York City's Metropolitan Transit
James Longhurst, Sheila Dwyer, John Lennon, Zhenhua Chen, Rudi Volti, Gopalan Balachandran, Katarina Gephardt, Mathieu Flonneau, Kyle Shelton, and Fiona Wilkie
and material feat that produced a type of rail system very different from Belgium’s European and U.S. counterparts. Stephan Hohne’s excellent cultural history of New York City’s “subway map wars” of the 1970s explicates how visual representations of
Eirini Kasioumi, Anna Plyushteva, Talya Zemach-Bersin, Kathleen F. Oswald, Molly Sauter, Alexandra Ganser, Mustafa Ahmed Khan, Natasha Raheja, Harry Oosterhuis, and Benjamin Fraser
pseudonymous Downtown School, a highly lauded, philanthropically funded middle and high school in New York City. Billed as a “school for digital kids,” the Downtown School had an ambitious, progressive plan to teach an “innovative” curriculum that pushed “what