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Chung-Hao Ku

. When he moves from New Orleans to a dilapidated mansion at Skully’s Landing to live with his estranged father, Edward Sansom, he is so afraid of his new surroundings that he pictures his father as a gothic figure. But the paternal storyline constitutes

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When Jackie Coogan Had His Hair Cut

Masculinity, Maturity, and the Movies in the 1920s

Peter W. Lee

slowed down. One New Orleans exhibitor reported that The Rag Man (1925) was “not giving satisfaction, being accredited locally the poorest the youngster had given his many admirers to date” ( Samuel 1925: 53 ). A New Yorker said much the same concerning