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The Aesthetics of Boredom

Slow Cinema and the Virtues of the Long Take in Once Upon a Time in Anatolia

Emre Çağlayan

, and I demonstrate this argument through an analysis of Nuri Bilge Ceylan’s Once Upon a Time in Anatolia (2011) , focusing on its use of mise-en-scène and temporality, and the ways in which it prompts a self-reflexive pondering of the nature of