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Winnifred Fallers Sullivan

sacrilegious transgression of the sacred space of Russian Orthodoxy, but as the violation of a civic space of a certain Russian nationalism, one that in many ways is quite secular. The Cathedral of Christ the Saviour is not a diocesan church but a monument

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Iver B. Neumann

and the first decades of the twentieth century. As an even more distant anchor, Dugin ([1997] 1999: 255 ) alludes to the state’s position of official nationalism as it looked from 1825 onward, by stressing how Russian nationalism is a question of