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Frances Steel

forms of self-presentation. Intriguingly, he posits that shipboard communalism stimulated experimentation, producing creative outputs more identifiably middlebrow in tone and content—a point that seems ripe for further analysis. Galletly, on the other

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The Spectacular Traveling Woman

Australian and Canadian Visions of Women, Modernity, and Mobility between the Wars

Sarah Galletly

Guinea, she is first required to make another change. Conor has posited that “[i]n modernity women began to negotiate the increasingly strict terms of self-presentation, prising open their object status to subvert its inhibiting effects and exhibit

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Raili Nugin

. 1 (2010): 91–104; Power et al., “Rural Youth and Emotional Geographies.” 16 Andra Siibak, “Performing the Norm: Estonian Pre-Teens Perceptions about Visual Self-Presentation Strategies on Social Networking Website Rate,” Medien Journal