In June 2014 an Expert Panel on Technology and Innovation in UN Peacekeeping was commissioned to examine how technology and innovation could strengthen peacekeeping missions. The panel's report argues for wider deployment of advanced technologies, including greater use of ground and airborne sensors and other technical sources of data, advanced data analytics and information fusion to assist in data integration. This article explores the emerging intelligence-led, informationist conception of UN peacekeeping against the backdrop of increasingly complex peacekeeping mandates and precarious security conditions. New peacekeeping with its heightened commitment to information as a political resource and the endorsement of offensive military action within robust mandates reflects the multiple and conflicting trajectories generated by asymmetric conflicts, the responsibility to protect and a technology-driven information revolution. We argue that the idea of peacekeeping is being revised (and has been revised) by realities beyond peacekeeping itself that require rethinking the morality of peacekeeping in light of the emergence of 'digital peacekeeping' and the knowledge revolution engendered by new technologies.
A Philosophical Analysis of New Peacekeeping
Lisa Portmess and Bassam Romaya
Crime as the Dark Projection of Authority in Early Modern England
some selected case studies in an attempt to highlight the dialectics between two modes of surveillance that coexisted in this period. The first is an ‘organic’ mode of surveillance that actually operated at street level and that could safely be
Surveillance and Resistance in Yevgeny Zamyatin's We
Michael D. Amey
Observation plays an increasingly significant role in twentieth-century society as a means of regulation. In this regulatory function, observation manifests itself in the ubiquitous CCTV, traffic cameras and other surveillance techniques used to monitor and record the activities of ordinary citizens. One of the more alarming recent manifestations of the potential for all-pervasive surveillance is the announcement of the development of an urban surveillance system by the United States military, which 'would use computers and thousands of cameras to track, record and analyze the movement of every vehicle in a foreign city,' and which could potentially be used by governments on their own citizens. The dramatic increase of surveillance in the twentieth-century has also been matched by an increase of voyeuristic entertainment, exemplified by the Orwellian titled television game show Big Brother. The entertainment value of voyeuristic surveillance has arguably rendered individuals more …accepting of regulatory surveillance in their personal lives. This trend towards increasing surveillance coupled with a citizenry inured to a constant invasion of its privacy has formed the basis for a number of twentieth-century dystopian novels and films, such as George Orwell's 1984 (1949), George Lucas's THX-1138 (1971), Stephen King's The Running Man (1982), Peter Weir's The Truman Show (1998), Kurt Wimmer's Equilibrium (2002) and the Warchowski brothers' Matrix trilogy (1999-2003). The widely acknowledged forerunner of these works, however, was a novel, We, written in 1921 by the Russian author, Yevgeny Zamyatin.
Police Power and Popular Culture in Colonial Algerian Theater
political activity. Indeed, the Renseignements Généraux, France's political police, produced the reports on Algerian theater companies. In relying on this service, colonial law enforcement adopted tactics from political surveillance to control popular
Anxiety and Interdisciplinarity
Questioned by W. J. T. Mitchell on the importance of theory for postcolonial studies, Homi Bhabha proceeds to distinguish two forms of interdisciplinarity. The first form is familiar in its emphasis on joint degrees and teaching in order to widen the teaching or research base, juxtaposing disciplines which yet maintain their solid foundations. The second form of interdisciplinarity acknowledges disciplinary limits, and marks the shaking of apparently solid foundations; Bhabha argues that it ‘is not an attempt to strengthen one foundation by drawing from another; it is a reaction to the fact that we are living at the real border of our own disciplines, where some of the fundamental ideas of our disciplines are being profoundly shaken. So our interdisciplinary moment is a move of survival – the formulation of knowledges that require our disciplinary scholarship and technique but demand that we abandon disciplinary mastery and surveillance.’ Elsewhere, in ‘DissemiNation’, Bhabha expands his point to argue for the necessity of this second form of interdisciplinarity: ‘To enter into the interdisciplinarity of cultural texts means that we cannot contextualize the emergent cultural form by locating it in terms of some pre-given discursive causality or origin.
Sex and the Body in Dickens
William A. Cohen
Not so long ago, the topic of Dickens and sex might have seemed entirely entailed by Foucault's inquires in the first volume of the History of Sexuality. In that work, Foucault argues that sex is not a biological donnée but is instead an effect of discourse, a culturally variable vehicle for the exercise of power in many different directions. Emerging out of Foucault's studies of social institutions such as prisons and madhouses, the History of Sexuality emphasises the disciplinary imperative of sexual knowledges; it argues that individual subjects internalise surveillance mechanisms, experiencing them through and as their sexuality. One of the beneficiaries of the Foucauldian paradigm, which dominated Victorian literary studies from the late 1980s until recently, was queer theory. Queer theory interrogates rather than presuming identity categories (such as homosexual, lesbian and gay), but it has always sat in an uneasy relation to identity politics, simultaneously relying on and deconstructing stable notions of gender and sexual identity. Some critics have employed queer theory to discover lesbian, gay or queer characters and practices in Victorian literature (not to mention finding more properly nineteenth-century types, such as the hysteric, the onanist and the sodomite). Such projects have often understood the function of sexual representation as part of modernity's more general disciplinary structure.
The social purity ‘crusade’ that gathered force after 1885 initiated a change both in ways of representing prostitution and in public opinion about ways of dealing with the sexually deviant woman. Since the 1860s the police had been granted the power under the Contagious Diseases Acts to apprehend women of doubtful virtue in the streets and insist that they be medically examined; if found to be diseased, they could then be detained in lock hospitals. Once these acts were repealed in 1885, prostitutes had greater freedom but were also kept under surveillance by philanthropists and the medical profession. A variety of discourses constructed the prostitute either as an innocent victim of male lust or as a ‘demon’ and ‘contagion of evil’. Judith Walkowitz has argued that such an ideological framework excluded the experience of women who drifted into this lifestyle temporarily, and provided ‘a restrictive and moralistic image’ of the fallen woman. Arguably, literary representations of prostitutes tended to flesh out the potentially restrictive images used in feminist, medical and periodical writing on the subject, though no form of discourse was immune to the strong influence of the language of purity used by the members of the National Vigilance Association (NVA) and its advocates.
Safi Mahmoud Mahfouz
, surveillance, restrictions on citizens’ liberties, subjugation of political dissidents and strict censorship on publications, the media and theatrical performances. The essays by Mário Vítor Bastos, Michele De Benedictis, Elena Bandín and Francesca Rayner
Katrin Röder and Christoph Singer
's reading of Utopia from 2010 concentrates on the impact of materialism and the formative dimension of hedonism. In his approach from 1980, Greenblatt comments on the role of pleasure but above all on its regulation through panoptical surveillance and
The Melancholy of the Girl Walker in Irish Women’s Fiction
by a sense of her failure, in the poorness and dullness that she had helped to preserve. (245) The escape to the forest from adult pressures, social and sexual – they cannot elude the darkly disapproving nuns’ surveillance – offers no real comfort or