The technological revolution that began with the Arpanet in the late Sixties has changed the world we live in. The Internet and social media have improved our lives considerably, but the changes came in with a high-price tag attached: our freedom. We now live in a world in which technology has exponentially expanded the power of the State to keep tabs on its citizens (within and across borders). If we continue on this path, democracy as we know it is doomed. Yet the future is not as grey as it might look at first sight. The ubiquity of social media and smartphones and the increasing relevance of the Internet in everyday life have also drastically changed the impact-power of citizens in technologically advanced societies. Understanding these changes is to understand which shape democracy will take in the future.
The Grands Magasins Dufayel, a huge department store built on the northern fringe of late nineteenth-century Paris, had an important cultural influence on the city's working class. In a neighborhood with few public spaces, it provided a consumer version of the public square. It encouraged workers to approach shopping as a social activity, just as the bourgeoisie did at the famous department stores in central Paris. Like the bourgeois stores, it helped transform consumption from a personal transaction between customer and merchant into an unmediated relationship between consumer and goods. Through advertising the store portrayed itself as a space where the working-class visitor could participate in new and exciting forms of entertainment and technology. Its unique instore cinema and exhibits of inventions like X-ray machines and the gramophone created a new kind of urban space that celebrated the close relationship between technology and consumer culture.
Niklas Olsen, Irene Herrmann, Håvard Brede Aven, and Mohinder Singh
and the richness of the analyses presented in this one, such a work would be very welcome. The Merits of Mistranslation Eric Schatzberg, Technology: Critical History of a Concept (Chicago: University of Chicago Press, 2018), 344 pp
How Medieval Ideas of Time Influenced the Development of Mechanical Reproduction of Texts and Images
initial deployment of replicative technologies ca. 1375–ca. 1450 onward. And yet this dynamo of change, print, and especially typography—a new industrial complex—is portrayed as having arisen rather abruptly and then rapidly spreading, with little
( Sarewitz 1996 ). The private sector then capitalizes on the results of this scientific curiosity to develop socially beneficial technologies, which are made available in the marketplace. Key to this is the modern patent system: the government incentivizes
digital surveillance and biometrics in technologies of algorithmic governance that individualize border controls: “As megacities become ghost towns, and once-bustling airports grind to a halt, the virus has generated a puzzling new enigma of a globalized
are not those that have the best technologies or most obedient citizens. It is those that have solidaristic institutions. Conclusion Pandemics do not automatically increase or decrease solidarity; the relationship between the two is complex in
Potel et Chabot and the Franco-Russian Alliance
Willa Z. Silverman
Between 1893 and 1901, the Parisian traiteur Potel et Chabot catered a series of gala meals celebrating the recent Franco-Russian alliance, which was heralded in France as ending its diplomatic isolation following the Franco-Prussian War. The firm was well adapted to the particularities of the unlikely alliance between Tsarist Russia and republican France. On the one hand, it represented a tradition of French luxury production, including haute cuisine, that the Third Republic was eager to promote. On the other, echoing the Republic’s championing of scientific and technological progress, it relied on innovative transportation and food conservation technologies, which it deployed spectacularly during a 1900 banquet for over twenty-two thousand French mayors, a modern “mega-event.” Culinary discourse therefore signaled, and palliated concerns about, the improbable nature of the alliance at the same time as it revealed important changes taking place in the catering profession.
Memorialization, War, and Democracy in the United States
Stephen J. Rosow
Contestation over war memorialization can help democratic theory respond to the current attenuation of citizenship in war in liberal democratic states, especially the United States. As war involves more advanced technologies and fewer soldiers, the relation of citizenship to war changes. In this context war memorialization plays a particular role in refiguring the relation. Current practices of remembering and memorializing war in contemporary neoliberal states respond to a dilemma: the state needs to justify and garner support for continual wars while distancing citizenship from participation. The result is a consumer culture of memorialization that seeks to effect a unity of the political community while it fights wars with few citizens and devalues the public. Neoliberal wars fought with few soldiers and an economic logic reveals the vulnerability to otherness that leads to more active and critical democratic citizenship.
The politics of French and German cinema between the onset of the Great Depression and the end of World War II is far from a new topic of study. However, scholars have typically focused on one country or the other, rather than comparing the two, and prioritized high-profile directors (for example, Jean Renoir, Jean-Paul Le Chanois, Leni Riefenstahl, and Veit Harlan) whose work benefited from direct party sponsorship and served a clearly propagandistic function. Reflecting the evolution of cultural history and film studies over the past decade, this collection of essays seeks to enrich the traditional approach in three ways. The first is by expanding the definition of politics beyond official party or state discourse to include power-related issues such as representation of gender and gender roles; access to material resources including funding and technology; relationships between film creators and industry or government officials; and competition between commercial and ideological priorities in film production, censorship, and distribution.