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Laurel Hart, Pamela Lamb, and Joshua Cader

debates is tricky: while an appreciable form of digital citizenship, there is an immediacy and sometimes anonymity to the medium that enables ethical slippages when civil discourse turns to the offensive. In this case, the interlocutors were identified by

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Sharing Images, Spoiling Meanings?

Class, Gender, and Ethics in Visual Research with Girls

Janet Fink and Helen Lomax

the ethical principles of anonymity that prevail in much research ethics guidance ( Lomax 2015 ; Wiles et al. 2010 ). A survey of visual researchers by Wiles et al. (2010) suggests that researchers within this evolving research climate are

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Technologies of Nonviolence

Ethical Participatory Visual Research with Girls

Astrid Treffry-Goatley, Lisa Wiebesiek, Naydene de Lange, and Relebohile Moletsane

original ones from a more critical, gender-sensitive point of view ( Mitchell and De Lange 2013 ; Mitchell et al. 2016 ). Problems with Confidentiality: Sharing Productions Publicly and Ensuring Anonymity Protecting participant identities as required by

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From Risk to Resistance

Girls and Technologies of Nonviolence

Laurel Hart

include retraumatization, anonymity, participants’ accessibility to technologies, the perpetuation of stereotypes, and consent in group work. They offer the questions that have emerged in the field, cite experiences that have led to greater understanding

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Joan Njagi

trained counselors while being assured of confidentiality and anonymity. They also provide girls with a platform from which to voice their concerns and exercise agency in seeking SRH information free from the influence of cultural and religious norms

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April Mandrona

, the research of Mitchell et al. (2016) on embodiment and visual ethics with disabled girls in Vietnam provides valuable insights; through a photovoice project, the authors examined issues of anonymity in relation to the practice of using conventional

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Dustin William Louie

media to avoid unwanted attention from the police ( Louie 2016 ). Supported by social media, pimps were now adept in connecting exploitation victims with dates while hidden behind the veil of anonymity provided by the Internet. The impact of media

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Introduction

Bodies, Sexualities, and Masculinities in the Time of Coronavirus

Jonathan A. Allan, Chris Haywood, and Frank G. Karioris

anonymity. In the process of creating more distance between bodies, we are simultaneously, in some instances, becoming closer. This editorial, of course, is speculative at best. We are still living in and through the coronavirus pandemic. What we do know

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Jonathan A. Allan, Chris Haywood, and Frank G. Karioris

empirical work, we may pay particular attention to how the research was conducted, asking questions about the protocols of informed consent and participant anonymity. For work that is informed more by arts and humanities, where the creative practice is a

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When Jackie Coogan Had His Hair Cut

Masculinity, Maturity, and the Movies in the 1920s

Peter W. Lee

-alike competition in December 1923. The anonymity of the ragamuffin look, with its long hair and baggy clothes, shielded the identity of the child wearer. Thus, girls could be boys—and, worrisome for an aging Coogan—vice versa. The winner, Jacqueline M. Churchill