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Allison Macleod

including homophobia, racism, misogyny, ableism, and classism. Particularly because the festival is located in Glasgow, a city characterized by its industrial roots and working-class history, issues of class, and their intersections with issues of sexuality

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Los Roldán and the Inclusion of Travesti Narratives

Representations of Gender-Nonconforming Identities in Argentinian Telenovelas

Martín Ponti

gender-nonconforming people who are on the female spectrum. The term's intersectional aspect includes race and class as part of its deployment and definition, since travestis are racialized as nonwhite following their exclusion from educational and formal

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Digitizing the Western Gaze

The End FGM Guardian Global Media Campaign

Jessica Cammaert

ongoing need for forging partnerships “across ethnic, class, gender, and generational lines [that] have historically been crucial to the success of human rights struggles.” However, unlike A Handful of Ash , which as a documentary can to the casual viewer

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Voicing Pride and Futurity in the Age of A.I.

An Interview with Playwright Pao-Chang Tsai on Solo Date

Jing Chen and Pao-Chang Tsai

their intimate, internal lives (where sometimes emails and social media give us a clearer picture of a character's “inner” life than, say, a voiceover or behavioral/action-based performance can do). And in your talk to our class, you mentioned that

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Linda Howell, Ryan Bell, Laura Helen Marks, Jennifer L. Lieberman, and Joseph Christopher Schaub

, class, sex, gender, nation, ethnicity, coloniality, (dis)ability, etc., shape people’s lives and experiences” (6). This approach leads many of the authors to focus on the ways that OITNB fails to offer sufficiently complex representations of its diverse

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Jess Dorrance

, eugenicist, and criminological photography with those of middle-class portraiture. “By ‘signifyin(g)’ on the form of the criminal as well as the scientific mug shot,” Smith writes, Du Bois's photographs “suggest that for some (white) viewers, the middle-class

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Introduction

Visibility and Screen Politics after the Transgender Tipping Point

Wibke Straube

non-white trans masculinity onscreen. They help to broaden what is visible of the trans community, but also immediately reproduce other normativities, such as norms of ablebodiedness, beauty, and class. The near absence of non-white trans characters

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Emma Celeste Bedor

more immediate results than non-famous persons who lack access to similar resources. Revenge pornography is therefore not only a gendered form of violence but also a deeply classed one, a situation reiterated the public discourse surrounding celebrity

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Handover Bodies in a Feminist Frame

Two Hong Kong Women Filmmakers’ Perspectives on Sex after 1997

Gina Marchetti

, in dramatically different ways, display an astute understanding of the shifting nature of the body given the juxtaposition of several key factors: Hong Kong has changed sovereignty, the global economy has transformed class alignments and labor roles

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Looking for Something to Signify

Something to Signify Gender Performance and Cuban Masculinity in Viva

David Yagüe González

world is a stage, not multiple stages. Therefore, notions of race, nationality, or class were not considered until much later in the critical thinking process, until, that is, the introduction of queer of color critique. As Roderick Ferguson would