Classic conditions of fieldwork research, to which anthropology remains committed, are difficult to establish today within far-reaching projects of neoliberal economy, governance and philanthropy. The forms of collaboration on which these projects insist, and those that ethnography encourages for its own research purposes, must be reconciled. On the bargains or adjustments that anthropology makes with neoliberal projects, within which it establishes scenes of fieldwork, depends its capacity to produce critique - its primary agenda since the 1980s. These issues are what are at stake in the widespread current discussions of, and hopes for, an 'engaged' anthropology.
Into the New Century
George E. Marcus
Exploring Cosmopolitan Competences
Emil Abossolo Mbo and Cassis Kilian
Since global interdependencies are a feature of urbanisation, Kwame Anthony Appiah's pleading for an education in 'cosmopolitan citizenship' is forward-looking. Given increasing mobility, handling different urban rhythms is as important as dealing with different languages. Actors explore how airports, supermarkets and cemeteries react to gait, respiration and heartbeat and how people adopt or impose rhythms. Such investigations might appear superficial from an academic perspective, but they bear resemblance to ethnographic fieldwork.
We (an actor and an anthropologist) refer to the shift from participant observation to collaboration proposed by George Marcus, and conjointly explore rhythmic aspects of urbanisation, which are difficult for scholars to grasp. Our aim is to expand anthropological concepts, methods and forms of representation. In reference to Paul Stoller, we consider acting methods a 'sensuous scholarship' and argue that rhythm allows us to explore preverbal aspects of feelings of belonging or alienation in the urban space.
A Possible Model for Regulation and Innovation in Personal Social Services
Lihi Lahat and Yekoutiel Sabah
characteristics of these services and responding to the need for innovation in public organizations. We propose a comprehensive regulatory process, based on learning, collaboration, and flexible features, as well as a new rhetorical language. By personal social
The Case of Yugoslavia in a Comparative Perspective
This article uses a comparative transnational model for a study of women’s resistance in Yugoslavia, with particular reference to the Independent State of Croatia. It challenges the dominant paradigm of active resistance in Hitler’s Europe as a largely masculine and military activity. Historians have long recognised the contribution of women to resistance in Yugoslavia; however, an ideologised and politically driven interpretation of wartime behaviour, combined with an overemphasis on active resistance, has militated against a nuanced approach towards the study of dissent in its diverse manifestations. This article proposes that a woman-centred focus on the social, everyday aspects of resistance is illuminating on definitions of and the preconditions necessary for successful resistance as well as on the subject of collaboration and conformism in the Second World War.
Iran are operating through collaboration with both women inside and outside the country. Furthermore, I excluded personal websites and pages for small group gatherings and those which have not been active for a while. The other selection criterion was
Collaborative Digital Mapping with the Itelmen Peoples
Brian Thom, Benedict J. Colombi, and Tatiana Degai
This article is about a remarkable community-initiated cultural mapping project undertaken in collaboration with indigenous organizations in Kamchatka (in the Russian Far East), and anthropologists from the universities of Victoria and Arizona
Regina F. Bendix
to restart a post-pandemic work life, and epi-models fathom, mathematically, how human beings under different circumstances behave. But working together, so that resultant policy papers carry the sophistication of interdisciplinary collaboration, is
Making tri-lingual folktale books
Kira Van Deusen
For political and economic reasons, oral storytelling has lagged behind other art forms in the Siberian cultural revival. The deep spiritual philosophy found in ancient tales can clarify and unite viable approaches to today's political, artistic and ecological concerns. Since most Siberian indigenous languages are considered to be threatened, if not almost extinct, and since languages are basic to stories, perhaps revival of storytelling can facilitate initiatives to preserve language. This article looks briefly at storytelling and language during the Soviet period and the first decade after, and describes two tri-lingual folktale book projects undertaken in collaboration with Udeghe and Khakassian folklorists and cultural activists.
Remaking Rural Landscapes in Twenty-first Century Europe
The management of agriculture has long played a key role in efforts to remake European borders, landscapes and identities. The Common Agricultural Policy (CAP) has been a centerpiece of European collaboration and debate since the first steps were taken to establish the European Community after the Second World War. Launched by the Treaty of Rome in 1957, it was first designed to regulate the agricultural market and protect food security across the original six member states of France, Germany, Italy, Belgium, the Netherlands and Luxembourg. With successive European enlargements and ongoing transformations in the world agricultural markets, the CAP has been in continual negotiation.
Tracing the Making of Public Art as Part of Regeneration Practice
A pragmatist study of art in regeneration, this article contributes a nuanced understanding of how art works as an ingredient of regeneration practice. To ameliorate post-industrial decline, commissioning art has become part of the work of the planner. In planning studies art is usually accounted for as completed artworks in relation to socio-economic agendas. But what of the effects produced in their making? Inspired by Actor-Network Theory, by tracing associations between human and non-human actors I reveal art as part of the translation process of regeneration. Drawing on a one-year ethnography of a regeneration office in North East England, I describe how art mediates collaboration with and in planning practice as a catalyst for professionals to re-consider their professional remit anew.