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Introduction

Elsewhere Affects and the Politics of Engagement across Religious Life-Worlds

Omar Kasmani, Nasima Selim, Hansjörg Dilger, and Dominik Mattes

Collaborative Research Center “Affective Societies.” Annalisa Butticci and Amira Mittermaier were joint keynote speakers at the workshop. Notes 1 “Mother's Day” is an art installation by the British-Israeli artist Smadar Dreyfus, which was exhibited as

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Politicizing Elsewhere(s)

Negotiating Representations of Neo-Pentecostal Aesthetic Practice in Berlin

Dominik Mattes

fieldwork formed part of a research project within the Collaborative Research Center (CRC) “Affective Societies” at Freie Universität Berlin. 1 The project comparatively explored whether and how affective forms of religious practice engender feelings of

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Beyond Economy and Religion

Resources and Socio-cosmic Fields in Odisha, India

Roland Hardenberg

trap of ‘common sense’ or ‘bourgeois logic’, as it was called by Sahlins in the 1970s? In Tübingen, the Collaborative Research Center (SFB 1070 ResourceCultures) is trying to answer this question in order to develop a concept of resources applicable for

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Mariske Westendorp, Bruno Reinhardt, Reinaldo L. Román, Jon Bialecki, Alexander Agadjanian, Karen Lauterbach, Juan Javier Rivera Andía, Kate Yanina DeConinck, Jack Hunter, Ioannis Kyriakakis, Magdalena Crăciun, Roger Canals, Cristina Rocha, Khyati Tripathi, Dafne Accoroni, and George Wu Bayuga

videos, photographs, and scans of brochures. The aim of these tours is to invite people to digitally visit the parks, to become immersed in the materialized Bible themselves. This section relies heavily on collaborative research partners who travel to

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Religion through the Looking Glass

Fieldwork, Biography, and Authorship in Southwest China and Beyond

Katherine Swancutt

’s in-house journal. As my 2015 fieldwork progressed, I observed their efforts at crafting my biography grow in tandem with their thoughts on how I might contribute to collaborative research on Nuosu culture with them. I was intrigued by how the