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Torben Grodal

feelings of tribal (patriotic) unity. The populist cultural setting of the film, however, does not explain why the film is fascinating also for those people who do not fully share those cultural values that provide the background for the film. Even viewers

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The Aesthetics of Boredom

Slow Cinema and the Virtues of the Long Take in Once Upon a Time in Anatolia

Emre Çağlayan

baffled critics and spectators, they are now largely regarded as highly commended examples of modernist art cinema. In other words, the cultural value of such art films that used boredom as an aesthetic strategy have, over the course of history, matured

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Ling Tang, Jun Zubillaga-Pow, Hans Rollmann, Amber Jamilla Musser, Shannon Scott, and Kristen Sollée

meaning and presence to star icons and the shifting cultural values represented by stars’ constant recycling through new, experimental, and ultimately ephemeral means. What does the future hold? Desjardins’s work is a theoretically dense, conceptually

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Designing a New Method of Studying Feature-Length Films

An Empirical Study and its Critical Analysis

Jose Cañas-Bajo, Teresa Cañas-Bajo, Eleni Berki, Juri-Petri Valtanen, and Pertti Saariluoma

. Although it might be possible to find some features that users may generally consider usable and attractive, many factors are strongly influenced by cultural values ( Ito and Nakakoji 1996 ). Likewise, audiences in the same country lead different lifestyles

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Jessica Bay, Alaina Schempp, Daniela Schlütz, and R. Colin Tait

, Peirce considers her remake of Carrie to be a “feminist revision of the horror genre” (42). In “The Contemptible Realm of the Romcom Queen: Nancy Meyers, Cultural Value and Romantic Comedy,” Deborah Jermyn analyzes what many have thought of as “an

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“There’s nothing makeup cannot do”

Women Beauty Vloggers’ Self-Representations, Transformations, and #thepowerofmakeup

Michele White

’s expressions and self-representations, have been underacknowledged and understudied in the academic literature, as noted by new media scholar Emma A. Jane (2014) . Cultural values and the silencing of women participants displace the work women do in Internet

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Toward a Model of Distributed Affectivity for Cinematic Ethics

Ethical Experience, Trauma, and History

Philip Martin

insights in the context of moods, Colombetti argues that “the world provides not only stimuli, but also cultural values, norms, and rules of behavior that shape and impact moods at various levels” (2017b, 1441). Our affective states are situated in the