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Accounting for Imaginary Presence

Husserl and Sartre on the Hyle of Pure Imagination

Di Huang

hyle , to account for the intuitive bodily presence of perception. Hyle gives the intentional morphe a sense of fullness, presents or portrays the latter in flesh. The hyle of normal external perception is sensation, or ‘the phenomenological

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Eirini Kasioumi, Anna Plyushteva, Talya Zemach-Bersin, Kathleen F. Oswald, Molly Sauter, Alexandra Ganser, Mustafa Ahmed Khan, Natasha Raheja, Harry Oosterhuis, and Benjamin Fraser

quickly became irrelevant when the Berlin Wall fell and a broader variety of materials and designs became available. Pflugfelder draws on the Greek notion of hyle , or “matter” (43), to show the material persuasion of nonhuman actors in a given context

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Finbarr Barry Flood and Jaś Elsner

.” Seen in this light, antiquities are merely hyle, raw material (or even, to use a phrase beloved of modern militaries, ‘collateral damage’) in the staging of spectacles integral to the production and circulation of images of destruction within global