This essay examines surviving traces of the Zeus and Ganymede myth and identifies two interwoven discourses on male love in antiquity: one, a tradition integral to a Cretan initiatory rite and its didactic nature evidenced by an analogous and opposite Boeotian cautionary myth; the other, a nucleus of polemic and shifting male love constructions from Minoan times through Late Antiquity. The mythic tradition is discussed as an archetypal key to identifying the ancient pedagogical and erotic functions of male love and the ancients’ evolving attitudes toward such relationships. As the myth and its offshoots, which are presented here in the form of a pastiche evocative of the atmosphere of the tradition, reflect their Classical and modern echoes through Western and Oriental interpretations, a recurring male love ethic and aesthetic is seen to take shape.
The Exquisite Corpse of Ganymede
A Cursory Overview of an Ancient Gender Studies Discourse
Andrew Calimach
(Para)normalizing Rape Culture
Possession as Rape in Young Adult Paranormal Romance
Annika Herb
paranormal romance, placing the male love interest as the facilitator of any sexual activity. It is only in this space that the protagonist can experience desire and pleasure, yet this is critiqued by the representation of the entanglement of fear and desire
Chung-Hao Ku
pursue males, and being slices, so to speak, of the male, love men throughout their boyhood, and take pleasure in physical contact with men” (1951: 62). To go with Jim’s emphasis of his masculinity, the imagery of manly reunion dispels the association
“Before the War, Life Was Much Brighter and Happier than Today”
Letters from French War Orphans, 1915–1922
Bethany S. Keenan
from our home.” 48 In describing their loss, the children shared their memories of their fathers’ characters and their awareness of the pain his death had caused their family. Yet fathers were not the only male loved ones taken away from orphans