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Introduction

A Focus on the History of Concepts

Eirini Goudarouli

articles that follow derive their case studies from different historiographical traditions, are focused on different historical contexts, and are addressed to different audiences. However, all three draw their theoretical and methodological innovation from

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Annabel Brett, Fabian Steininger, Tobias Adler-Bartels, Juan Pablo Scarfi, and Jan Surman

an Interdisciplinary Conceptual History” (2008–2019). 3 While the authors hold back on theoretical discussions, which would also hardly be manageable limited as they are by the number of pages for each contributions, some methodological innovations

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Klaus Berghahn, Russell Dalton, Jason Verber, Robert Tobin, Beverly Crawford, and Jeffrey Luppes

way ahead in terms of methodological innovations, but leads by example. Especially noteworthy amongst the interventions contained within its pages are those into our understanding of sex in the colonies (Walther), identity (McCullers, amongst others

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Max Stille

step toward reducing these tensions and working toward a global approach would be for conceptual historians working on different regions to take account of the theoretical and methodological innovations accomplished by scholars working on other, in this

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Race and the Micropolitics of Mobility

Mobile Autoethnography on a South African Bus Service

Bradley Rink

Merriman signals a note of caution when pursuing methodological innovation in what Sheller and Urry consider the “new mobilities paradigm,” as he warns against the abandonment of tradition methods of social science research in favor of what may be regarded

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Adriana Zaharijević, Kristen Ghodsee, Efi Kanner, Árpád von Klimó, Matthew Stibbe, Tatiana Zhurzhenko, Žarka Svirčev, Agata Ignaciuk, Sophia Kuhnle, Ana Miškovska Kajevska, Chiara Bonfiglioli, Marina Hughson, Sanja Petrović Todosijević, Enriketa Papa-Pandelejmoni, Stanislava Barać, Ayşe Durakbaşa, Selin Çağatay, and Agnieszka Mrozik

), ISBN 978-86-7718-168-0. Book review by Žarka Svirčev Institute for Literature and Arts, Belgrade Ana Kolarić's book Rod, modernost i emancipacija (Gender, modernity, and emancipation) illustrates the conceptual and methodological innovation