In this article I will explore the repeated depiction of freak show performers and their relation to adolescent, tomboyish female protagonists in the novels of Carson McCullers. In a surprisingly recurrent trope across McCullers’s work, young girls believe that they will grow uncontrollably, as tall as the “nine foot tall” woman at the fair on the outskirts of town. Serving as a link between their rapidly developing bodies and their emergent sense of their own queerness, freakishness threatens to divert them from the normative futures of womanhood. I investigate this intersection of freak studies, a sub-discipline of disability studies, and queer theories of temporality, arguing for an extension of queer time through crip time, one which is necessitated by a consideration of freakishness in relation to youth and development. The figure of the freak across McCullers’s work calls for a reassessment of girlhood’s complex relationship to embodiment, place, sexuality, and temporality.