Girls might regret only not having been born as male. —Statement in the official newspaper Ulus (Nation), 1939 This article is an inquiry into the gender regime of Turkish modernization, with a focus on the single-party era of the Turkish Republic
Pınar Melis Yelsalı Parmaksız
, the underlying, longer term cause behind the parties’ fortunes was Merkel’s leadership and her effort to modernize the cdu , which enjoyed broad but brittle support. Second, that consensus wavered after her controversial 2015 decision to admit over a
Mobile Cultures between the Andes and the Amazon around 1900
Jaime Moreno Tejada
, leaving two soldiers dead. The incident came to be known as the Battle of Angoteros. 31 A rush of nationalism followed this event, and the distant Amazon frontier became the focus of Quito’s modernizing fever. 32 A society of patriots, the Junta
In German public perceptions, right-wing populism is cast as a specifically east German problem. This article critically examines how this assumption is located within the debate on German unity. In order to clarify the sometimes-confusing arguments on German unification, two paradigmatic perspectives can be identified: German unity can be approached from a perspective of modernization, or through the lens of postcolonial critique. When it comes to right-wing populism in eastern Germany, the modernization paradigm suffers from a lack of understanding. Hence, the arguments of the postcolonial perspective must be taken seriously, particularly as the postcolonial reading can grasp the complex phenomenon of right-wing populism in east Germany, and prevent the discursive and geographic space of the region from being conquered by right-wing political actors.
Educational Films, National Identity and Citizenship in Italy from 1948 to 1968
summed up the achievements that followed from the government’s strategy of economic and social renewal along with modernization. Two films in particular exemplify the tropes of national regeneration—namely, Ieri e oggi (“Yesterday and Today”) and the
The Motorway as a Space of Neoliberalism
The article surveys a giant infrastructural construction project in Poland: the A2 motorway, connecting Poznan´ and Warsaw with the Polish-German border. It was the first private motorway in Poland, and the biggest European infrastructural project, and was realized in a public-private partnership system. The last section of A2 was opened on 1 December 2011, which can be seen as a key moment in Polish socioeconomic transformation. I examine it on two levels: (1) a discourse between government and private investors in which the motorway was the medium of economic and social development and infrastructural “the end” modernization of Poland; (2) practices and opinions of local communities, living along the new motorway. On the first level, the construction of A2 was seen as an impetus for the economic and social development of the regions where the motorway was built. But on the second level, I observe almost universal disappointment and a deep crisis experienced by local economies.
modernizing country that implemented secular reforms against the backdrop of Islamic traditional culture. In republican Turkey, Islam, “like all other religions,” was confined to the private sphere, polygamy was prohibited, women went uncovered in public, and
This article analyzes how the fundamental challenge of decolonization has resonated in history textbooks published in France since the 1960s. It therefore contextualizes textbook knowledge within different areas of society and focuses on predominant discourses that influenced history textbooks' (post)colonial representations in the period examined. These discourses encompass the crisis of Western civilization, modernization, republican integration, and the postcolonial politics of memory. The author argues that history textbooks have thus become media, as well as objects of an emerging postcolonial politics of memory that involves intense conflicts over immigration and national identity and challenges France's (post)colonial legacy in general.
One Family's Sacrifice
Last Train Home (guitu lieche 归途列车) 2009. Produced by Mila Aung-Th win and Daniel Cross (executive producers) with Bob Moore (co-producer) and Zhao Qi (executive producer). Directed by Lixin Fan. Documentary. Cast: Changhua Zhan, Suqin Chen, Qin Zhang, Yang Zhang, Tingsui Tang (as themselves).
Interwar Romanian Women's Writing, Modernity and the Gendered Public/Private Divide
In this article I analyse four novels by four Romanian women writers in order to bring into focus their perspectives on interwar gender roles, urbanisation and modernisation. First, I discuss the concept of 'feminine literature', largely used by (predominantly male) Romanian literary critics to describe literary works by women, as a description of normative femininity rather than an aesthetic category. Second, I argue that through their literary works, Romanian women writers effectively criticised interwar gender roles, more precisely the divide between public masculinity and private femininity, the constraints of women's sexual agency, and the heterosexual romance. Last, I analyse four novels published (mainly) during the interwar period by the Romanian women writers Hortensia Papadat Bengescu (1876-1955), Henriette Yvonne Stahl (1900-1984), Ioana Postelnicu (1910-2004) and Anişoara Odeanu (1912-1972), focussing on the female characters' presence and visibility in the urban public space and on the dynamics of the gaze that polices their behaviour.