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A Structure of Antipathy

Constructing the Villain in Narrative Film

Jens Kjeldgaard-Christiansen

, of moral judgment, including a “purity” foundation whose violation is supposed to provoke feelings of moral disgust ( Haidt 2012 ; Haidt and Graham 2007 ). TDM, however, recognizes only harm-based violations as being of moral psychological status

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Toward a Model of Distributed Affectivity for Cinematic Ethics

Ethical Experience, Trauma, and History

Philip Martin

, affect is deployed to understand how various levels of ethical engagement operate outside rational moral judgments ( Plantinga 2010a ). In this case, affect refers to specific forms of nonvoluntary response, emotional contagion, and lower-level processing

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Pogo, Pop and Politics

Robert Benayoun on Comics and Roy Lichtenstein

Gavin Parkinson

175(896) (January 1968), 25–31. 49 Rosenblum, ‘Roy Lichtenstein and the Realist Revolt’, 192, 190. 50 Ibid., 191. Another critic had already asserted that ‘Lichtenstein’s hairspray carries a moral judgment’, John Coplans, ‘The New Painting of Common

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Brendan Rooney, Hanna Kubicka, Carl Plantinga, James Kendrick, and Johannes Riis

describe. She begins by arguing that our understanding of viewers’ moral judgments should rely on the “dual-process model of morality” derived from the work of Jonathan Haidt and Joshua Greene (2002). According to this theory, our real-life moral

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Laura T. Di Summa-Knoop

, not only depend on the audience’s moral evaluation of the characters, but are also likely to play an active role in inviting moral evaluations and may even be able to steer the viewer’s moral compass, thus effectively contributing to moral judgment

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Philip J. Hohle

to privilege their own rational way of making moral judgments over the activity of actual viewers. We tend to find their untrained readings incompetent and could go so far as to describe them as “bad” ( Vaage 2016: 90 ). As commonly operationalized in

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Mark McKinney, Jennifer Howell, Ross William Smith, and David Miranda Barreiro

's ‘confrontational’ (119) narrative of slavery challenges falsified narratives and demands the reversal of certain moral judgments. In his conclusion, Lockard ascertains that in literature of this kind, there exists ‘an ethical charge to understand the legitimacy of

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Qihao Ji and Arthur A. Raney

Media Effects? ” Media Psychology 9 ( 2 ): 241 – 259 . 10.1080/15213260701285819 Raney , Arthur A. , and Jennings Bryant . 2002 . “ Moral Judgment and Crime Drama: An Integrated Theory of Enjoyment .” Journal of Communication 52 ( 2 ): 402

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Klaus Berghahn, Russell Dalton, Jason Verber, Robert Tobin, Beverly Crawford, and Jeffrey Luppes

destruction.” (195) For Primo Levi, the Italian Jewish survivor of Auschwitz, the “gray zone” is a question of moral judgment, whereas the authors try to consider this issue from a purely legal perspective. What complicates this chapter, however, is the fact

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Dan Flory

. “ Disgust as Embodied Moral Judgment .” Personality and Social Psychology Bulletin 34 ( 8 ): 1096 – 1109 . 10.1177/0146167208317771 Shakespeare , William . [ 1623 ] 1974 . The Tragedy of Macbeth . Pp. 1306 – 1342 in The Riverside Shakespeare , ed