’s Other Voices, Other Rooms ([1948] 2004) , the protagonists are so susceptible to the backward temporalities of return and the gothic that their adolescences become non-transitional. 1 In Love’s discussion of backward affects, “adolescent feelings
’s Other Voices, Other Rooms ([1948] 2004) , the protagonists are so susceptible to the backward temporalities of return and the gothic that their adolescences become non-transitional. 1 In Love’s discussion of backward affects, “adolescent feelings