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The Corpus Christi Devotion

Gender, Liturgy, and Authority among Dominican Nuns in Castile in the Middle Ages

Mercedes Pérez Vidal

in the empowering of these aristocratic women, not only through the commission of works of art, but also through the liturgical performance and the use of monastic spaces. However, all these were also highly contested areas between the nuns and male

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Conceptualizing Compassion in Communication for Communication

Emotional Experience in Islamic Sermons (Bengali waʿẓ maḥfils)

Max Stille

, which emphasizes the interlinkage of concepts to be communicated, concepts of communication, and performance patterns. Among the various genres of Islamic sermons, 2 the most important distinction is that between the Friday sermon, which is a ritual

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African Dawn

Keïta Fodéba and the Imagining of National Culture in Guinea

Andrew W. M. Smith

was part politician and part broker of the arts, operating creatively in the contested transnational terrain of national culture. Using archival material outlining the surveillance of Fodéba’s Parisian performances in the 1950s, one can discern the

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The Ill-Equipped Modernist

Historicizing Édouard Dujardin’s Les Lauriers Sont Coupés

Kelly J. Maynard

of Alsace and Lorraine. 32 In the fall of 1876, for example, the Parisian police monitored violence inside and outside the concert hall during one of conductor Jules Pasdeloup’s weekly orchestral performances. 33 The problem? He had programmed a

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Filimon Peonidis

. 1 The use of lot as a method for political decision making has fallen into disrespect after the Renaissance, but, in recent years, the growing dissatisfaction with not only the performance of particular parties and officials, but also the very

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Rob Boddice, Christian J. Emden, and Peter Vogt

audience does not fit comfortably into the conceptual language of performativity. The language of performance, whether intended or not, seems implicitly to reintroduce the question of emotional authenticity. Sullivan’s narrative arc, taken as a whole

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Paul Apostolidis, William E. Connolly, Jodi Dean, Jade Schiff, and Romand Coles

militant disruption is much easier said than done. Indispensable to generating requisite political energies and relationships, radical democratic shock politics requires proliferating dramatic prefigurative performances of radical receptivity that are both

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Jan Ifversen

itself in historiography. With his anchoring in hermeneutics and his constant interest in the temporalization of concepts, Koselleck certainly recognizes the narrative performance of historians. In a text from 1973, Darstellung, Ereignis, Struktur , he

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Resist and Revivify

Democratic Theory in a Time of Defiance

Jean-Paul Gagnon and Emily Beausoleil

Public Sector Context .” Canadian Public Administration 57 ( 1 ): 49 – 70 . 10.1111/capa.12058 Moffitt , Benjamin . 2016 . The Global Rise of Populism: Performance, Political Style, and Representation . Stanford, CA : Stanford University Press

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Nadia Urbinati

discontent with democratic governments’ performance in consolidated democracies lead the editors of these journals to conclude that democracy is indeed facing a crisis. As a matter of fact, surveys, essays, and talks on the “crisis of democracy” have boomed