will provide a discussion on moral outrage, in which I particularly draw on literature of political rituals and performances. In doing so, I will highlight the importance of performative and expressive contexts in the study of emotions. It is in the
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Introduction
Performance, Power, Exclusion, and Expansion in Anthropological Accounts of Protests
Aet Annist
( Youngs 2017 ), we are offering this topical special section to analyze protests through an ethnographic lens. Concentrating on power and performance, the articles consider the matrix within which the protests emerge—the time and space, the historic and
Color-Coded Sovereignty and the Men in Black
Private Security in a Bolivian Marketplace
Daniel M. Goldstein
The appearance of effective security making—demonstrated through surveillance, visibility, and ongoing performance—is significant to contemporary sovereign authority in urban spaces characterized by quotidian violence and crime. This article examines La Cancha, Cochabamba, Bolivia’s enormous outdoor market, which is policed not by the state but by private security firms that operate as nonstate sovereign actors in the space of the market. The article provides an ethnographic account of one of these firms (the Men in Black), and documents the work of both municipal and national police—all of them distinguished by differently colored uniforms—in the management of crime, administration of justice, and establishment of public order in the market. Sovereignty here is derived through public performance, both violent and nonviolent, through which the Men in Black demonstrate and maintain their sovereign power.
Fabiola Lizama-Pérez, María de los Ángeles Piñar-Álvarez, Alejandro Ortega-Argueta, María Azahara Mesa-Jurado, María del Carmen Sandoval-Caraveo, and Ady Patricia Carrera-Hernández
English abstract: This article assesses the implementation and performance of Local Agenda 21 (LA21) in Mexico over a decade (2004–2013). Official records of municipal evaluations from all 31 Mexican states were analyzed, comprising 39 indicators of four dimensions of sustainable development: institutional, economic, social and environmental. A positive evolution of the implementation of LA21 was observed, with the economic and social dimensions presenting the best and worst performances, respectively. In general, the local governments of northern Mexico performed better than their southern counterparts. The voluntary nature of LA21 implementation is highlighted, yet necessitating a strengthening of municipal capacities in long-term planning, inter-administration continuity, efficacy evaluation, and integration of all sectors into a more coherent municipal agenda.
Spanish abstract: Este estudio analiza la implementación y desempeño de la Agenda Local 21 (AL21) en México en un periodo de una década (2004–2013). Se analizaron registros oficiales de evaluaciones municipales de los 31 estados de la república, que comprenden 39 indicadores de cuatro dimensiones del desarrollo sustentable: institucional, económico, social y ambiental. Se observó una evolución positiva en la implementación de la AL21, con las dimensiones económica y social mostrando el mejor y peor desempeños, respectivamente. En general, los gobiernos locales del norte de México tuvieron mejores desempeños que sus contrapartes del sur. Se destaca la naturaleza voluntaria de la implementación de la AL21, que todavía necesita un fortalecimiento de las capacidades municipales en la planificación de largo plazo, en la continuidad inter-administrativa, la evaluación de eficacia y la integración de todos los sectores en una agenda municipal más coherente.
French abstract: Cette étude analyse la mise en oeuvre et les performances de l’Agenda 21 local (AL21) au Mexique sur une période de dix ans (2004-2013). Les archives officielles des évaluations municipales des trente-et-un états de la République ont été analysées. Elles comprennent trente-neuf indicateurs de quatre dimensions du développement durable: institutionnel, économique, social et environnemental. Une évolution positive a été observée dans la mise en oeuvre du LA21, les dimensions économique et sociale affichant respectivement les meilleures et les plus basses performances. En général, les administrations locales du nord du Mexique ont obtenu de meilleurs résultats que leurs homologues du sud. On souligne la nature volontaire de la mise en oeuvre de la LA21, qui nécessite toutefois encore un renforcement des capacités municipales dans la planification à long terme, dans la continuité inter-administrative, l’évaluation de l’efficacité et l’intégration de tous les secteurs dans un agenda municipal plus cohérent.
Each Female Fan Has Her Own Story
Three Fandom Autoethnographies
Tamar Rapoport and Efrat Noy
This article advocates autoethnography as a critical feminist methodology for using personal testimony to investigate women’s experience and performance of fandom The article’s centerpiece is an analysis of the personal testimonies of three women—researcher-fans of different ages—of a fan-owned club Hapoel Katamon Jerusalem. In addition to revealing women’s gendered-based experiences and the different ways in which women acquire and perform fandom, their personal stories prove valuable for exposing the gendered regime of the football field. Moreover, they reveal how women who are not fluent in the hegemonic language of fandom make their way in the fandom field as they seek their own voice and position in it. The analysis suggests that women’s participation can disrupt the hegemonic masculinity of fandom and challenge its established boundaries, thereby problematizing accepted definitions of the authentic fan.
Farewell Laurie Eisenberg
Neil Caplan, The Israel-Palestine Conflict: Contested Histories Review by Alan Dowty
Rachel Feldhay Brenner, The Freedom to Write: The Woman-Artist and the World in Ruth Almog’s Fiction Review by Avraham Balaban
Jackie Feldman, Above the Death Pits, Beneath the Flag: Youth Voyages to Poland and the Performance of Israeli National Identity Review by Noam Schimmel
Michael R. Fischbach, Jewish Property Claims against Arab Countries Review by Aviva Klen-Franke
Asima A. Ghazi-Bouillon, Understanding the Middle East Peace Process: Israeli Academia and the Struggle for Identity Review by Mira Sucharov
Aviva Halamish, Meir Yaari: A Collective Biography: The First Fifty Years, 1987–1947 Review by Ilan Peleg
Tamar S. Hermann, The Israeli Peace Movement: A Shattered Dream Review by Gordon Fellman
Alexandra Nocke, The Place of the Mediterranean in Modern Israeli Identity Review by Karine Hamilton
Ami Pedahzur and Arie Perliger, Jewish Terrorism in Israel Review by Eran Schor
Yaron Peleg, Israeli Culture between the Two Intifadas: A Brief Romance Review by Philip Hollander
Orit Rosin, Duty and Love: Individualism and Collectivism in 1950s Israel Review by Michael Feige
Nita Schechet, Disenthralling Ourselves: Rhetoric of Revenge and Reconciliation in Contemporary Israel Review by Eran Fisher
Amit M. Schejter, Muting Israeli Democracy: How Media and Cultural Policy Undermine Free Expression Review by Dan Caspi
Patricia J. Woods, Judicial Power and National Politics: Courts and Gender in the Religious-Secular Conflict in Israel Review by Amnon Cavari
Naomi Chazan, Morad Elsana, Ian S. Lustick, Sam Lehman-Wilzig, Gideon Rahat, Eliezer Ben-Rafael, Daphne Inbar, and Oren Barak
, Alexandre Kedar stated that from the beginning the authors decided to play an active role in the issue of Bedouin land rights. Michal Kravel-tovi , When the State Winks: The Performance of Conversion in Israel (New York: Columbia University Press, 2017
Mor Cohen
the dominant style between the 1960s and 1980s. I first came across this quotation in an article by the curator and theorist Ariella Azoulay (1993). It appeared in issue 40 of Studio , which focused on performance and artistic interventions in public
The Making of a Capital
Jerusalem on Israeli Banknotes
Na'ama Sheffi and Anat First
) attempt to explain the means used by the nation-state to create national identity, he maintains that the flag, newspaper, sites, and landscapes initiate ‘banal nationalism’. According to Billig, the performance of banal nationalism can be detected in
Creating a Significant Community
Religious Engagements in the Film Ha-Mashgihim (God’s Neighbors)
Merav Alush-Levron
referring to the new religiosity in culture. We must examine its representations in light of the dynamics of the forces at play and the intercultural interactions that give birth to mixed performances, such as hegemonic and counter-hegemonic expressions