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The Many Layers of Moral Outrage

Kurdish Activists and Diaspora Politics

Nerina Weiss

will provide a discussion on moral outrage, in which I particularly draw on literature of political rituals and performances. In doing so, I will highlight the importance of performative and expressive contexts in the study of emotions. It is in the

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Introduction

Performance, Power, Exclusion, and Expansion in Anthropological Accounts of Protests

Aet Annist

( Youngs 2017 ), we are offering this topical special section to analyze protests through an ethnographic lens. Concentrating on power and performance, the articles consider the matrix within which the protests emerge—the time and space, the historic and

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Color-Coded Sovereignty and the Men in Black

Private Security in a Bolivian Marketplace

Daniel M. Goldstein

The appearance of effective security making—demonstrated through surveillance, visibility, and ongoing performance—is significant to contemporary sovereign authority in urban spaces characterized by quotidian violence and crime. This article examines La Cancha, Cochabamba, Bolivia’s enormous outdoor market, which is policed not by the state but by private security firms that operate as nonstate sovereign actors in the space of the market. The article provides an ethnographic account of one of these firms (the Men in Black), and documents the work of both municipal and national police—all of them distinguished by differently colored uniforms—in the management of crime, administration of justice, and establishment of public order in the market. Sovereignty here is derived through public performance, both violent and nonviolent, through which the Men in Black demonstrate and maintain their sovereign power.

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Introduction

Ethnographies of Private Security

Erella Grassiani and Tessa Diphoorn

articles that depict how these actors operate in particular localities—for example, Daniel Goldstein’s (2015) analysis of the performance of local sovereignty in Bolivia, Erella Grassiani and Lior Volinz’s (2015) piece on how policing (re

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Eluding the Esculacho

A Masculinities Perspective on the Enduring Warrior Ethos of Rio de Janeiro's Police

Celina Myrann Sørbøe

both in the police culture and in the favela. I thus situate the warrior ethos as a masculine performance shaped by gendered role expectations in the organizational, occupational, and street-working environment of the police. With this emphasis on the

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“There Was No Genocide in Rwanda”

History, Politics, and Exile Identity among Rwandan Rebels in the Eastern Congo Conflict

Anna Hedlund

This article analyzes how the 1994 genocide in Rwanda is recalled and described by members of a Hutu rebel group, the Democratic Forces for the Liberation of Rwanda (FDLR) whose leadership can be linked to the 1994 atrocities in Rwanda. The article explores how individuals belonging to this rebel group, currently operating in the eastern territories of the Democratic Republic of Congo (DRC), articulate, contest, and oppose the dominant narrative of the Rwandan genocide. Based on ethnographic fieldwork with members of the FDLR in a rebel camp, this article shows how a community of exiled fighters and second-generation Hutu refugees contest the official version of genocide by constructing a counterhistory of it. Through organized practices such as political demonstrations and military performances, it further shows how political ideologies and violence are being manufactured and reproduced within a setting of military control.

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Co-constituting Bodyguarding Practice through Embodied Reflexivity

Methodological Reflections from the Field

Paul Higate

the field as a particular kind of research performance ( Latham 2003 ). In order to garner knowledge of the social world—or, in Wacquant’s understanding, “create” data—researching selves must conduct themselves instrumentally if they are to reconcile a

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Introduction

The Social Life of Contentious Concepts

Ronald S. Stade

,” or “bashful,” but Geertz suggested it should be translated as suffering from stage fright because Balinese culture, he alleged, could be likened to an intricate theater performance. Geertz’s condensation of actual lives lived by others into a trope

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Guarding the Body

Private Security Work in Rio de Janeiro

Erika Robb Larkins

-made guard; growing a network of more powerful allies was also work. Patronage was a natural outgrowth of his own dignity and work performance. In lectures, he bound the two together like a recipe: work hard and you will get noticed by the establishment for

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Alena Minchenia

and are motivated to change the power. Looking from the perspective of performativity, the figure of the protester, in general, is the effect of repetitive performances of dissent and of accompanying recognition of these performances as such. Yet