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Andrew J. Webber


This article is concerned with the 2012 feature Lore, which was made in Germany by Australian director Cate Shortland and is based on the story of the same name by Rachel Seiffert. Focusing on a group of siblings and their odyssey across Germany at the end of World War II, the film explores questions of identity constitution and subversion in the transitional ground between childhood and adulthood, in particular as this is registered in bodily experience. The three main sections of this article focus on the family archive (not least through the medium of photography), structures of double identity (in particular around the figure of the German Jew), and aesthetic strategies of representation (especially framing and mirroring). Through these steps, the article probes the ethical, aesthetic, and political stakes involved in representing the passing of children through the violence of history in what the director calls “grey zones.”

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April Mandrona

photographic representation in participatory visual research. By working through a series of ethical dilemmas, Janet Fink and Helen Lomax offer a critical reading of a photograph produced by and depicting British working-class girls. The authors highlight the

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Ethical Engagement with Movies

Response to Carl Plantinga's Screen Stories

Cynthia Freeland

specifically filmic devices to affect how audiences respond to characters. He discusses such factors as music and scenography, along with photographic representation of the actor's body and especially of the human face in close-up. He also mentions audience