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Sanne van der Hout and Martin Drenthen

is based on Paul Dukas’s symphonic interpretation L’apprenti sorcier (1897) of Goethe’s poem Der Zauberlehrling (1797). The popularity of the Disney version is shown by the fact that in Fantasia 2000 , the sequel to the 1940 film, the segment

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Eric J. Cunningham

Japan within the whirring of global capitalism. The ideological weightiness of Makio Dam may have been too much for the consciences of many Otaki residents. A poem composed in 1958 by sixth-grade elementary school student, Yasue Chikako, whose home was

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Artificial Intelligence

Faith in Machine or Man?

Jan Martijn Meij

for immortality has been around as long as Gilgamesh, the famous poem of the Sumerians. Silicon Valley is filled with folks that are in pursuit to ward off aging and avoiding mortality. Finally, in “An Outside Change,” the fourth part, BM offers a

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Making Sense of the Human-Nature Relationship

A Reception Study of the “Nature Is Speaking” Campaign on YouTube

Ulrika Olausson

Uggla 2019 ); in movies, novels, poems, and other kinds of media texts where nature is defined as “the other” in relation to human society and culture, and humans’ deeply ambivalent relationship with nature oscillates between romantic devotion to it and

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Barriers and borders

Human mobility and building inclusive societies

Anthony Turton

complete. For me this is best captured in the lines of a beautiful poem written by Michelle Frost (2002) : Within my heart, within my mind there lies a place I cannot find. Home of my heart. Land of my birth. Smoke-colored stone and flame

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Bret Gustafson, Francesco Carpanini, Martin Kalb, James Giblin, Sarah Besky, Patrick Gallagher, Andrew Curley, Jen Gobby, and Ryan Anderson

on nontextual critiques of coal and development in the form of poems, cartoons, and paintings. She features the work of Navajo artists who captured understandings of social and political inequality, health complications, and the destruction of the

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Righting Names

The Importance of Native American Philosophies of Naming for Environmental Justice

Rebekah Sinclair

and refer to these creatures through their self-appointed names. Their own role in this naming practice is one of humility: to see and call as the creatures see and call themselves. In her poem “Naming the Animals,” Linda Hogan affirms this Native