'Tacit consent' has long interested historians of political thought and political philosophers, but its nuances nevertheless remain unappreciated. It has its roots in the Roman law concept of a 'tacit declaration of will'. Explicating this concept allows a new conception of tacit consent to be proposed, which I term the 'tacit declaration of consent'. The tacit declaration of consent avoids both the triviality of common sense views and a weakness in Hobbes' account. Unlike other contemporary philosophical accounts, it avoids fictions and meets the condition of intentionality. Furthermore, it also advances understanding of the sorts of claim offered by proponents of a tacit consent-based theory of political obligation, whilst facilitating a more radical critique. The tacit consent-based theory of political obligation is not simply limited in application, but indefensible. It unwarrantedly transposes onto tacit consent the potentially fictional character of declarations of will.
Welcome to the Postmodern Melancholy of Gordimer's Post-Apartheid World
Raymond Chandler used to say that whenever he got stuck writing a novel he would get going again by having a character come through the door with a gun in hand. Reading the opening pages of Nadine Gordimer’s new novel with its account of a sensational murder, one might wonder whether South Africa’s 1991 Nobel laureate, faced with the end of apartheid and the consequent lack of a subject, was operating according to Chandler’s principle. The House Gun, however, indicates not so much the lack of a subject as a new way of looking at an old subject facing new circumstances – the old subject being the psychological and material effects of white racism on whites, the new circumstances being those of post-apartheid South Africa. Moreover, the apparent narrowing of focus from the macropolitics of Gordimer’s three most recent preceding novels, None to Accompany Me (1994), My Son’s Story (1990), and A Sport of Nature (1987), to the micro-politics of The House Gun suggests that we can read South Africa’s transition to full democracy as a paradigmatic change from a modern to a postmodern condition. Gordimer’s post- 1994 publications, and The House Gun in particular, lend themselves to being read as illustrative of two of Michel Foucault’s central insights: the ubiquity of power, and the consequent idea that given that ubiquity, care of one’s self (‘souci de soi’) becomes a new kind of political obligation.
are natural duties, not political obligations. In fact, unlike political obligations, natural duties apply notwithstanding the institutional context: ‘Now in contrast with obligations, [natural duties] have no necessary connection with institutions
Romantic Socialism and the Afterlife of a Cross-Sex Friendship in French Political Culture, 1880–1929
Each recognized their friendship ( l’amitié ) as a relationship outside sexual relations with serious political obligations. Still, neither Vallès nor Séverine questioned masculine and feminine immutability inside the friendship. They acknowledged