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Jess Dorrance

goes, how she is seen or used, and with whom she affiliates. In response, she blames herself. This article thinks with and about Boudry and Lorenz's film and accompanying installation Toxic in order to reflect upon the politics of racialized queer

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Emma Celeste Bedor

of apathy, cynicism, and malaise as they relate to media exposure overwhelmingly examine these questions as they relate to political figures, their campaigns, and news coverage (Ansolabehere and Iyengar 1995 ; Bennett et al. 1999 ; Cappella and

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Wyatt Moss-Wellington

resolution. Our cognizance of such dissonances produces an attentional politics: the focus or subject of dissonance makes a claim about what should concern us, and in Lynch’s work, metaphysical upset becomes more important than rape and trauma. Blue Velvet

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Brendan Rooney, Hanna Kubicka, Carl Plantinga, James Kendrick, and Johannes Riis

earlier, the book does not solely focus on neuroscience. It features much consideration of the everyday, industrial, political, and social implications of the interaction between the brain and film. Zacks links these issues extremely well to online film

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Putting the Culture into Bioculturalism

A Naturalized Aesthetics and the Challenge of Modernism

Dominic Topp

basic expository information about Ōsugi, but without more detailed knowledge of the social and political structures of early-twentieth-century Japan (specifically, the Taishō period in which the story takes place), many details of Ōsugi’s rebellion

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Stacie Friend

—moral, political, aesthetic—is and must be undertaken; for science must bracket questions pertaining to these types of value in order to function as science . (2017: 4–5) In suggesting that normative questions be bracketed, Smith aims to avoid an obvious but

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The Aesthetics of Boredom

Slow Cinema and the Virtues of the Long Take in Once Upon a Time in Anatolia

Emre Çağlayan

overview of the debate, see Schoonover 2012 ). Some critics blamed slow cinema for being boring and monotonous with little cultural or political value. Nick James, for instance, condemns slow cinema as “passive aggressive” because “they demand great

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Qihao Ji and Arthur A. Raney

examining SOD as a function of perceived realism—or, more accurately, violations of realism—as a mediator of attitude change in the context of a filmed advertisement for a political candidate. Acknowledging the limited generalizability of their findings, the

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The Cine-Fist

Eisenstein’s Attractions, Mirror Neurons, and Contemporary Action Cinema

Maria Belodubrovskaya

from Russian as well as foreign scientists. 4 Eisenstein’s aesthetic adversary was not narrative, as might have been the case for Gunning’s attractions, but traditional representational art, as well as Vertov’s “life caught unawares.” Both the political

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Pascal Wallisch and Jake Alden Whritner

outperforms the predictions by experts in a diverse range of fields, including searching for submarines but also political judgment. In the arena of political judgment, aggregating polling data with smart algorithms seems to far outperform the judgment of