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Jess Dorrance

goes, how she is seen or used, and with whom she affiliates. In response, she blames herself. This article thinks with and about Boudry and Lorenz's film and accompanying installation Toxic in order to reflect upon the politics of racialized queer

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Emma Celeste Bedor

of apathy, cynicism, and malaise as they relate to media exposure overwhelmingly examine these questions as they relate to political figures, their campaigns, and news coverage (Ansolabehere and Iyengar 1995 ; Bennett et al. 1999 ; Cappella and

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Objet A(ffect) and Che(www) Vuoi

The Fleshy Horror of the Unknowable Other in Spring and Honeymoon

Dewey Musante

synthesis of these two poles in film theory, but also with a complication of the essentialist and content-oriented feminist politics of psychoanalytic film theory outlined above. Instead of looking at large, big-budget horror franchises, I have chosen to

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“Banal Apocalypse”

An Interview with Author Ta-wei Chi on the New Translation of The Membranes

Jane Chi Hyun Park and Ta-wei Chi

nationalistic. In fact, many older readers in Taiwan also know the fact that the Momotarosan story is obviously authoritarian rather than naïvely childish. However, it has been common among many readers in Taiwan to overlook the political/imperial implications

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Andrew J. Ball

unchanged; however, moving forward will we intensify our focus on new media art, technology studies, and the interface of the sciences and the humanities. We will continue to examine the cultural, aesthetic, ethical, and political dimensions of emerging

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Sade for Sade's Sake

Inside Paul Chan's Transmedial Laboratory

Olivier Delers

reconfiguring the textual logorrhea central to his writing style. In his video installation, he imagines a new kind of sexual tableau that seeks to “show it all,” but also turns the larger political statement that his project set out to make into an abstract

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Andrew J. Webber

developmental stage which is especially subject, and susceptible, to identity formation and deformation under the pressures of social and political ideologies. These pressures are not least enacted upon and through the body, and embodied identity is put under

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Close to You

Karen Carpenter and the Body-Martyr in Queer Memory

Julian Binder

band, calling them “young America at its very best” ( Schmidt 2010: 100–101 ). With a career that included the White House appearance, no lyrical allusions to sexuality further than romantic love and longing, and avoiding overt political statements

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Elizabeth Jochum, Graeme Stout, and Brian Bergen-Aurand

Jennifer Rhee, The Robotic Imaginary: The Human and the Price of Dehumanized Labor (Minneapolis: University of Minnesota Press, 2018). 240 pp., ISBN: 978151790298 (paperback, $27)

Soraya Murray, On Video Games: The Politics of Race, Gender and Space (New York: I. B. Tauris, 2018). xv + 315pp., ISBN: 9781786732507 (PDF eBook, $82.50)

Ari Larissa Heinrich, Chinese Surplus: Biopolitical Aesthetics and the Medically Commodified Body (Durham, NC: Duke University Press, 2018). 264 pp., ISBN: 9780822370536 (paperback, $25.95)

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A. Anthony, Tess S. Skadegård Thorsen, Steen Ledet Christiansen, and Carmela Garritano

Reina Gossett, Eric A. Stanley, and Johanna Burton, eds., Trap Door: Trans Cultural Production and the Politics of Visibility (Cambridge, MA: MIT Press, 2017), 419 pp. ISBN: 9780262036603 (hardback, $49.95)

Katharina Lindner, Film Bodies: Queer Feminist Encounters with Gender and Sexuality in Cinema (London: I. B. Tauris, 2018), 272 pp. ISBN: 9781784536244 (hardback, £72)

Saige Walton, Cinema’s Baroque Flesh: Film, Phenomenology, and the Art of Entanglement (Amsterdam: Amsterdam University Press, 2016), 280 pp. ISBN 978 90 8964 951 5 (hardback, €95)

Marietta Kesting, Affective Images: Post-apartheid Documentary Perspectives (Albany: State University of New York Press, 2017). vi +278pp. ISBN: 9781438467856 (hardback, $95); ISBN: 9781438467849 (paperback, $29.95)