This article examines the political engagement of three Scottish women—Anne Hamilton, Duchess of Hamilton; Katherine Hamilton, Duchess of Atholl; and Katherine Skene, Lady Murray—during the negotiations that led to the 1707 Anglo-Scottish Union. The letters of these women reveal an active female involvement in Scottish politics during the pivotal debates over Union with England. They also serve to demonstrate the importance of family-based power among the landed elites in early modern Scottish politics. Challenging the continued absence of women from early modern Scottish political histories, this article argues that women, exemplied by the three discussed here, must be incorporated into political history if we want to fully understand the history of the Scottish nation.
A Case Study of the Anglo-Scottish Union
Eleanor of Aquitaine, Emotion Talk, and the Gendering of Political Rhetoric
Linda E. Mitchell
Seneca, instructed their female family members not to be “womanish” in the face of adversity. 8 Emotion was also seen as a political tool. As mentioned by Rosenwein, the early medieval historian Gregory of Tours described the conflicts between the
evolutionary psychology approach; ignoring new forms of aggression; and failing to acknowledge the political underpinnings of his own research. In this article, I will explore these shortcomings in relation to sexual violence. The study of sexual violence is
Cancelling the Political Future
As 1940 drew to a close, hope that the war could soon come to an end was not a political reality. To sustain faith in an ultimate Allied victory proved a perpetual struggle. The gravity of immediate, urgent military disasters was relentless
Female Political Leaders in France and Norway
Anne Krogstad and Aagoth Storvik
This article explores images of high-level female politicians in France and Norway from 1980 to 2010, examining the ways in which they present themselves to the media and their subsequent reception by journalists. Women in French politics experience difficulties living up to a masculine heroic leadership ideal historically marked by drama, conquest, and seductiveness. In contrast, Norwegian female politicians have challenged the traditional leadership ethos of conspicuous modesty and low-key presentation. We argue that images of French and Norwegian politicians in the media are not only national constructions; they are also gendered. Seven images of women in politics are discussed: (1) men in skirts and ladies of stone, (2) seductresses, (3) different types of mothers, (4) heroines of the past, (5) women in red, (6) glamorous women, and (7) women using ironic femininity. The last three images-color, glamour, and irony-are identified as new strategies female politicians use to accentuate their positions of power with signs of female sensuality. It is thus possible for female politicians to show signs of feminine sensuality and still avoid negative gender stereotyping.
Images of Male Political Leaders in France and Norway
Anne Krogstad and Aagoth Storvik
Researchers have often pointed to the masculine norms that are integrated into politics. This article explores these norms by studying male images of politics and power in France and Norway from 1945 to 2009. Both dress codes and more general leadership styles are discussed. The article shows changes in political aesthetics in both countries since the Second World War. The most radical break is seen in the way Norwegian male politicians present themselves. The traditional Norwegian leadership ethos of piety, moderation, and inward orientation is still important, but it is not as self-effacing and inelegant as it used to be. However, compared to the leaders in French politics, who still live up to a heroic leadership ideal marked by effortless superiority and seduction, the Norwegian leaders look modest. To explain the differences in political self-presentation and evaluation we argue that cultural repertoires are not only national constructions but also gendered constructions.
A New Perspective on C. K. J. Bunsen (1791–1860)
capacity to antagonize influential secular authorities. The political environment in which Bunsen worked and more critical perceptions of the man, at the time and after his death, affected his legacy. He provides a pertinent case study at the very point
Recognition of a right of resistance to oppression clearly helped modern Western polities accept constitutional forms of order. Drawing on Locke's canonical discussion in the Second Treatise, influential Anglo-American political theorists also suggest that the establishment of modern constitutional states required outlawing resistance practices. A francophone perspective, however, raises a problem for such generalizations about modern Western political philosophy and practice: the French “résistance” differs in meaning from the English “resistance” in important ways. Reconstructing the histories of the cognate concepts, I show that “résistance” emerged out of feminized discourses concerning moral conscience and that, as a result, excluding résistance from politics seems implausible, a conclusion that sheds light on the discussion of résistance in the Declaration of the Rights of Man and Citizen. The article closes with the suggestion that, following the Second World War, French understandings of “résistance” may have influenced American politics and thought in unrecognized ways.
The politics of French and German cinema between the onset of the Great Depression and the end of World War II is far from a new topic of study. However, scholars have typically focused on one country or the other, rather than comparing the two, and prioritized high-profile directors (for example, Jean Renoir, Jean-Paul Le Chanois, Leni Riefenstahl, and Veit Harlan) whose work benefited from direct party sponsorship and served a clearly propagandistic function. Reflecting the evolution of cultural history and film studies over the past decade, this collection of essays seeks to enrich the traditional approach in three ways. The first is by expanding the definition of politics beyond official party or state discourse to include power-related issues such as representation of gender and gender roles; access to material resources including funding and technology; relationships between film creators and industry or government officials; and competition between commercial and ideological priorities in film production, censorship, and distribution.
Paternalism and Masculinity on the Republican Right in Interwar France, 1919-1939
"Des Hommes et des citoyens: Paternalism and Masculinity on the Republican Right in Interwar France, 1919-1939," explores the masculine ideals of France's three main right-of-centre republican parties during the interwar period: the Fédération républicaine, the Parti démocrate populaire, and the Alliance démocratique. These parties desired men to be determined, principled, inflexible, respectable, hard-working, selfless, paternalist, republican and nationalist, and to father as many legitimate children as possible. Moreover, a discourse of paternalism pervaded the republican right's rhetoric and ideology, thereby providing the basis for many of its policies, as well as an obstacle to those, including feminists, who wished to challenge the status quo. This paternalism was consonant with the parties' class position and commingled with a masculine conception of citizenship that underlay the parties' principles and obstructed proponents of women's suffrage.