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Queer Sinofuturism

The Aberrant Movements and Posthumanist Mutations of Body, Identity, and Matter in Lu Yang's Uterus Man

Gabriel Remy-Handfield

inherent queerness present in the video; indeterminacy is already implied in the title of the film. The character possesses different abilities and weapons, all related to a different part of the uterus associated with the feminine body . Lu Yang created a

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Redefining Representation

Black Trans and Queer Women’s Digital Media Production

Moya Bailey

creation of a touchstone for other trans women of color on their own journeys, and the healing that came through the process of writing her book. Mock’s narration of her own story marks a practice of Black queer and trans women’s media production that can

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Close to You

Karen Carpenter and the Body-Martyr in Queer Memory

Julian Binder

” and mundane image, the Carpenters have left a legacy that has endured and been subject to constructions of memory and reproduction in unlikely, queer places—and this is especially true of the Karen Carpenter legacy in the years following her death in

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Jess Dorrance

goes, how she is seen or used, and with whom she affiliates. In response, she blames herself. This article thinks with and about Boudry and Lorenz's film and accompanying installation Toxic in order to reflect upon the politics of racialized queer

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Allison Macleod

As I enter the Centre for Contemporary Arts (CCA) in Glasgow for the opening night of the Scottish Queer International Film Festival (SQIFF), two giant pink poodles (actually festival volunteers dressed as characters from the festival

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Transitions Within Queer North African Cinema

Nouri Bouzid, Abdellah Taïa, and the Transnational Tourist

Walter S. Temple

In recent years, North African queer cinema has become increasingly visible both within and beyond Arabo-Orientale spaces. A number of critical factors have contributed to a global awareness of queer identities in contemporary Maghrebi cinema

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Introduction

Toward a Queer Sinofuturism

Ari Heinrich, Howard Chiang, and Ta-wei Chi

of it. We've become the sign of it, the backdrop to it, and the style manual for it. — Aimee Bahng (2018) This special issue on “Queer Sinofuturisms” aims to explore how artists and writers working across various media in Sinophone contexts use

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The New Imitation Game

The Queer Sinitic Potentialities of Internet Romance Games

Carlos Rojas

nature, invites an exploration of an array of queer potentialities, wherein the inherent fluidity of gender assignments and attendant sexual orientations works in tension with the more limited understanding of gender and sexuality that characterizes the

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Voicing Pride and Futurity in the Age of A.I.

An Interview with Playwright Pao-Chang Tsai on Solo Date

Jing Chen and Pao-Chang Tsai

between Ho Nien and Alain in the underworld, alluding to an alternative space to imagine the future. Through the lens of queer articulation in a Sinophone context, Solo Date embodies the discursive practices of “Queer Sinofuturisms” pointed to by Ari

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Affective Anachronisms, Fateful Becomings

Otaku Movement and the Joan of Arc Effect in Type-Moon's Transhistorical Anime Ecology

David John Boyd

-Woman and the Joan of Arc Effect: Overloading the Otaku Sensorium Within the Nasuverse many gender-sexuality queered, transhistorical “names of history” ( Deleuze and Guattari 2004b, 23 )—or, more accurately, what Lampert refers to as “not [those