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Jesús Tronch

himself and raises dilemmas, sometimes of no consequence, on the basis of niggling scruples. One major discrepancy is the absence of any clear-cut revenge plot. Hamlet García is overwhelmed not by the task of avenging a fratricide against his father, but

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Laurie Johnson

between the heart motif, Leartes, and the parallel revenge plots that will come to a fatal head in the final scene to follow. Why this connection and, more to the point, why not this connection in the Q2/F but only in Q1? The answer may be hiding in