This article focuses on gender relations through the performance of carnival rites in a North Aegean island rural community. Based on qualitative research, it approaches the women’s use of public space during carnival and the changes under the influence of women’s emancipation since the 1970s. The percentage of women, especially young girls, participating in carnival rites has risen dramatically over the last decade. However, not all carnival public spaces are equally open to women. The article examines the way women try to impose their presence on the strictly male universe of the carnival space and especially the marketplace, the traditional and timeless core of the carnival rites, where only men can pronounce the obscene carnival language, fruit of the kafeneion male discourse and the reactions of the male community to the novelties brought by feminism into the village.
Gender and Carnival in a North Aegean Island Community
Multiculturalism, Ritual and Cultural Reproduction
Jay (Koby) Oppenheim
The concept of Jewish space, initially conceived by Diana Pinto as a unique European development, marked a critical shift in relations between Jews and non-Jews, the latter embracing a Jewish past as constitutive of their countries' own. The hoped-for European multiculturalism failed to blossom and Jewish space, in Pinto's assessment, has not born the fruit of its potential. To investigate the shortfall of Jewish space, this article examines the 2012 debate on ritual male circumcision in Germany (Beschneidungsdebatte) that drew contemporary Jewish practice into the public eye. Pinto's formulation is premised on a multicultural society that actively works to blunt intolerance, a condition whose fulfilment in contemporary Europe remains incomplete and uneven. Moreover, this attempt to extend the integration of history into memory was stymied by its lack of a living subject. While Jews constitute a long-standing minority population with a unique history in Germany, their success in establishing a shared Jewish space is tied to the broader project of tolerance and integration facing immigrant and minority groups in Western Europe.
James E. Cutting, Catalina Iricinschi, and Kaitlin L. Brunick
This article presents a new method to create maps that chart changes across a cinematic narrative. These are unlike narrative spaces previously discussed in the literature—they are abstract, holistic, dynamic representations based on objective criteria. The analysis considers three films (All About Eve, Inception, and MASH) by counting the co-occurrences of main characters within scenes, and 12 Angry Men by counting their co-occurrences within shots. The technique used combines the statistical methods of correlation, multidimensional scaling, and Procrustes analysis. It then plots the trajectories of characters across these spaces in All About Eve and Inception, regions for characters in Inception and MASH, and compares the physical arrangement of jurors with their dramatic roles in 12 Angry Men. These maps depict the changing structures in the visual narrative. Finally, through consideration of statistical learning, the article explores the plausibility that these maps mimic relations in the minds of film viewers.
Film studies inspired by the theories of British psychoanalyst Donald W. Winnicott are scanty. Although this may be partly explained by Winnicott's own somewhat unenthusiastic attitude toward cinema, it should be fruitful to approach film, in both its form and content, by taking into consideration the relevance of some of his ideas. These include in particular the concepts of mirroring and transitional space, especially in relation to the idea of a bridge space connecting external reality to its filmed representation, as well as the latter to reality as perceived by the viewer's gaze. Winnicott's developmental model of mental processes could prove useful for an understanding of the structural and functional characteristics of cinema, as well as for providing original interpretations of individual films.
This article examines post 1989 Polish literary production that addresses German-Polish history and border relations in the aftermath of World War II and participates in the German-Polish dialogue of reconciliation. I consider the methodological implications of border space and spatial memory for the analysis of mass displacements in the German-Polish border region with particular attention to spatiocultural interstitiality, deterritorialization, unhomeliness, and border identity. Focusing on two representative novels, Stefan Chwin's Death in Danzig and Olga Tokarczuk's House of Day, House of Night, I argue that these authors' attention to geospatiality, border space, and displacement forms a distinct characteristic of Polish border narratives. Chwin's and Tokarczuk's construction of interstitial border spaces reflects a complex dynamic between place, historical memory, and self-identification while disrupting and challenging the unitary mythologies of the nation. With their fictional re-imagining of wartime and postwar German-Polish border region, these writers participate in the politics of collective memory of the border region and the construction and articulation of the Polish perspective that shapes the discourse of memory east of the border.
Motoring and the Semantics of Space in Early Twentieth-Century British Travel Writing
When, in the early twentieth century, British middle-class writers went on a tour in search of their country, travel writing not only saw the re-emergence of the home tour, but also the increasing appearance of the motorcar on British roads. With the travelogue playing the role of a discursive arena in which debates about automobility were visualized, the article argues that, as they went “in search of England,” writers like Henry Vollam Morton and J. B. Priestley not only took part in the ideological framing of motoring as a social practice, but also contributed to a change in the perception of accessing a seemingly remote English countryside. By looking at a number of contemporary British travelogues, the analysis traces the strategies of how the driving subjects staged their surroundings, and follows the authors' changing attitudes toward the cultural habit of traveling: instead of highlighting the seemingly static nature of the meaning of space, the travelogues render motoring a dynamic and procedural spatial practice, thus influencing notions of nature, progress, and tradition.
Animal Representations and Urban (Dis)orders during the ‘Feast of the Sacrifice’ in Istanbul and Khartoum
Alice Franck, Jean Gardin, and Olivier Givre
political levels, comparative fieldwork highlights significant differences concerning the stakes, perceptions and concrete practices of the ritual in the urban space. More widely, we question what appears as a gap between a sacrificial imaginary encapsulated
A Portrait of Young Men's Sense of Belonging to the Street in Maputo, Mozambique
young men navigate the spaces of urban life in the context of economic and social exclusion is the focus of this article. It is centered on the experiences of a group of young men who spent their days in a marketplace in Maputo, the capital city of
Understanding Mobilities in a Dangerous World
Gail Adams-Hutcheson, Holly Thorpe, and Catharine Coleborne
spaces to traverse. Sustainable mobilities, climate change and human mobility, mobility justice, historical mobilities in new perspectives, the mobilities of disease and war, and mobilities and the borders of the nation-state are just a few. At the
Tahmineh Hooshyar Emami
territories, a new type of city has emerged, mostly located at significant border crossings and with a rapid expiration date. Here, I refer to these as “the cities or spaces of in-between.” The overarching analysis which I introduce in the following sections