Lefebvre describes how ‘space is lived not represented (or conceived)’ in the context of his spatial triad of perceived, conceived and lived spaces. This article focuses on the extent to which Shakespeare can enable those who feel imprisoned (whether literally or through social, mental, physical or economic constraints) to expand the space in which they exist. Drawing on the work of Lefebvre and Foucault in their consideration of spatial creation, manipulation and alteration by the social experiences within it, I develop on these theories to focus specifically on the use of Shakespeare’s plays to evolve these, often constraining, spaces into somewhere that gives the participants the freedom and space to explore alternatives to their previous experiences of life. This article considers the impact of using Shakespeare as a method of creating space for a group of men in Leicester Prison as part of their 2017 Talent Unlocked Arts Festival.
It is important to stress that Arab women writers have produced a new kaleidoscope of narrative fiction in English. They focus on a variety of representations with respect to identity, dislocation, cultural hybridity and belonging. Moreover they have tried to construct a stable subjectivity and a space of belonging. These narratives are now dispersed and relocated by Arab women diasporic novelists such as Hala Alyan. This article will examine Hala Alyan’s 2017 novel, Salt Houses. This debut novel has amalgamated different narrative experimentations and techniques, and how polyphonic spaces have dislocated the conventional act of narration and relocated it in tandem with the non-homogeneity of the Arab world itself.
Re-imagining Strangeness and Spaces
John Sodiq Sanni
Heisler's statement to mean that, through the effects of migration, the world is increasingly becoming not only a local space but also a global space. This means that political, economic and social spaces are merging and, in some cases, disintegrating
The Grands Magasins Dufayel, a huge department store built on the northern fringe of late nineteenth-century Paris, had an important cultural influence on the city's working class. In a neighborhood with few public spaces, it provided a consumer version of the public square. It encouraged workers to approach shopping as a social activity, just as the bourgeoisie did at the famous department stores in central Paris. Like the bourgeois stores, it helped transform consumption from a personal transaction between customer and merchant into an unmediated relationship between consumer and goods. Through advertising the store portrayed itself as a space where the working-class visitor could participate in new and exciting forms of entertainment and technology. Its unique instore cinema and exhibits of inventions like X-ray machines and the gramophone created a new kind of urban space that celebrated the close relationship between technology and consumer culture.
A Reconsideration of the Concept of Space and Its Role in the Early Modern Period
This exploratory essay seeks to unravel the inherent contradictions between two fundamental trends in contemporary historiography: the “spatial turn” on the one hand, and the “linguistic turn” on the other hand. The “spatial turn,” it argues, turned “space's” status as a category of analysis into an accepted dogma. Under these circumstances, one often overlooks the fact that “space,” like all concepts, can also be problematic and at times even misleading. By looking at several examples from and about the intellectual world of early modern Europe, the article demonstrates how the use of space as a category of analysis encounters two fundamental challenges. First, the problem of the absence of the word “space” itself from important early modern texts (“shrinkage”); and second, the overuse of the term “space” in translations and analysis of early modern intellectual works (“contamination”).
Sharing and Negotiating Social Knowledge Through Space and Bodily Practice
This article takes the reader on a journey around the spaces of west African houses, and shows how the social world is replicated in the built environment. Based on the case study, this article argues that architecture serves as a model of the outside world to its inhabitants. Knowledge about the social order is embodied by moving through the architectural space. In this particular case, the society's kinship system and kin relations are encoded in the compounds' architectural spaces. This article traces how this order is created, read, and reproduced by its inhabitants, and argues that the house serves as a model of the social (kinship) order. I article conclude by showing that the emic architectural model of the local kinship systems allows for a higher complexity than verbal descriptions can. This article contributes to an anthropology of the house and discusses questions of collective knowledge and memory. It offers considerations of the nature of emic models and cognitive maps, and explores how these maps are shared and reproduced.
Subjectification in Pilgrimage to the Iran-Iraq War Battlefields in Contemporary Iran
assumed subjectivities of RN visitors to the Iran-Iraq War battlefields, this article shows why RN is envisioned by the Islamic Republic (IR) as a pedagogical means for subject-formation, and, moreover, how space and subjectivity are co-produced at the
Disorientation, Travel, and Urban Space
Using a 2010 trip to Hanoi, Vietnam, this article looks at the ways that disorientation is used as a trope within the urban environment and to create the traveling subject. Suggesting that travel is a form of deliberate disorientation/ orientation, the article focuses on ideas of disorientation within the urban environment and the ways they have been portrayed in Western cultural forms (the flâneur; the dérive) while suggesting these forms are not sufficient to understand the dynamics of travel. Moreover, the article focuses on two forms of travel as disorientation derived from John Zilcosky—the trope of being "lost and found" and that of "the return." Finally, the article suggests that Marcus Auge's idea of non-place is not only a sufficient way of conceptualizing contemporary notions of travel, but is also an indicator of something beyond its scope—that of globalization.
Austro-German Filmmaker, Bestselling Author, and Journalist Colin Ross Discovers Australia
tales of South Seas paradise, but Ross’s depictions undoubtedly re-oriented appraisals of this space through a strategy combining—or recalling—colonial desire and contemporary geopolitics in popular form. Ross was most invested in shifting the
Negotiating Civic Spaces in Post-urban America
This article builds on theories of space to suggest that the spatialised public-private dichotomy may be redundant and that civic space has become a more useful language of the success, or otherwise, of publicly accessible spaces. Taking my impetus from the seemingly hyper-privatised space of the shopping mall I argue that private space can be civic space if it encourages, using theorist Iris Marion Young's terminology, 'social justice', and the mixing of diverse peoples and uses. Alongside the shopping mall, I examine the much-hyped Disney town of Celebration in Florida to illustrate how distinctions between public and private space have become increasingly blurred, before concluding with a discussion of recent efforts on both sides of the Atlantic to produce effective design approaches in creating civic space. The approach in this article is more pragmatic than theoretical given the minimal theorising about 'civic space' to date. Although I provide a brief overview of the established literature, most still relies on the 1960s writings of French geographer, Henri Lefebvre, who called for space that 'signifies the right of citizens and city dwellers, and of groups they (on the basis of social relations) constitute, to appear on all networks and circuits of communication, information and exchange.'