article answers this question by looking less at policy-making, and rather at the surrounding economic and energy context that gave Berlin the space to maneuver in 2014, such that it could apply sanctions with little pushback from its own economic elites
The Economics of German Natural Gas Imports from Russia, 1982 and 2014 Compared
Stephen G. Gross
Tahmineh Hooshyar Emami
territories, a new type of city has emerged, mostly located at significant border crossings and with a rapid expiration date. Here, I refer to these as “the cities or spaces of in-between.” The overarching analysis which I introduce in the following sections
This article examines post 1989 Polish literary production that addresses German-Polish history and border relations in the aftermath of World War II and participates in the German-Polish dialogue of reconciliation. I consider the methodological implications of border space and spatial memory for the analysis of mass displacements in the German-Polish border region with particular attention to spatiocultural interstitiality, deterritorialization, unhomeliness, and border identity. Focusing on two representative novels, Stefan Chwin's Death in Danzig and Olga Tokarczuk's House of Day, House of Night, I argue that these authors' attention to geospatiality, border space, and displacement forms a distinct characteristic of Polish border narratives. Chwin's and Tokarczuk's construction of interstitial border spaces reflects a complex dynamic between place, historical memory, and self-identification while disrupting and challenging the unitary mythologies of the nation. With their fictional re-imagining of wartime and postwar German-Polish border region, these writers participate in the politics of collective memory of the border region and the construction and articulation of the Polish perspective that shapes the discourse of memory east of the border.
Arguing that the resistance in France during the Second World War was always transnational in important ways, this piece identifies some of the recent scholarship that has expanded both the temporal and geographic parameters of the French Resistance. It introduces some of the key themes of this collection of articles and underscores the important contributions made by the participating authors. As these articles reveal, we can find sites of transnational resistance by looking at the relationship between the Allies and the resistance, the role that non-French denizens played in the resistance, the politics of cultural resistance, and the circulation of downed Anglo-American aircrews in Europe.
Building on a long-term, multi-sited ethnographic research project, this article illustrates and interprets the transformation processes and empowerment strategies pursued by an originally Zazaki-speaking, multigenerational Alevi family in the Turkish-German transnational context. The family, which includes a number of Alevi priests (seyyid or dede), hails from the Dersim4 region of eastern Anatolia, and their family biography is closely bound up with a traumatic mass murder and crime against humanity that local people call “Dersim 38“ or “Tertele.“ Against the background of this tragedy, the family experienced internal migration (through forced remigration and settlement) thirty years before its labor migration to Germany. This family case study accordingly examines migration as a multi-faceted process with plural roots and routes. The migration of people from Turkey neither begins nor ends with labor migration to Germany. Instead, it involves the continuous, nonlinear, and multidirectional movement of human beings, despite national border regimes and politics. As a result, we can speak of migration processes that are at once voluntary and forced, internal and external, national and transnational. 5 In this particular case, the family members, even the pioneer generation labor migrants who have since become shuttle migrants, maintain close relationships with Dersim even as they spend most of their lives in a metropolitan German city. At the same time, they confront moments of everyday in- and exclusion in this transnational migration space that define them as both insiders and out- siders. Keeping these asymmetrical attributions in mind, I examine the family's sociocultural, religious, and political practices and resources from a transna- tional perspective, paying close attention to their conceptualization of identity and belonging as well as their empowerment strategies.
Quotidien et modernité critique chez Siegfried Kracauer
de Frances Mossop, Mapping Berlin : Representations of Space in the Weimar Feuilleton (Oxford : Peter Lang, 2015), 32–34. Je précise que cet article a été écrit avant la parution du livre de Mossop. 10 Sur cette illusion médiatique, voir Alain
La dramaturgie du récit journalistique à l'épreuve du spatial
This article examines the treatment of outer space in the French weekly magazine L'Express from 1969 to 2009. After the Apollo 11 mission to the moon, space was essentially analyzed from the perspective of geopolitics: International tensions, the Cold War, and the emergence of an integrated Europe served as prisms through which the subject of outer space was explored. After the Challenger crash in 1986, thinking about space took on a more commercial orientation; business, trade, and competition became a powerful frame of reference. At the same time, ecological concerns emerged to reinforce a negative view of space exploration. Space debris and the decline of utopian expectations became recurring themes. This cultural history of disenchantment over space reflected both a scaling back of Promethean ambitions and the assimilation of space into everyday life.
Planning, Discourse, and State Power in Post-War France
planned developments in terms of land use, urbanization, green space, and transport infrastructure. A commentary of around 250 pages accompanied the map, providing an interpretative gloss and making clear the project’s ambition to prepare Paris for the
Sound, Citizenship, and Disruptive Representations of Migration
the potential of listening to open creative engagements when representing displacement, finding spaces of narrativity that have not yet been claimed and foreclosed, and disrupting the dominant tropes of “European refugee crisis.” Second, it claims that
Mirko M. Hall
of antimodernist images and tropes is a veiled philosophical program to create acceptable social spaces for fascist cultural ideals. Unfortunately, both of these analyses foreclose a more nuanced reading by foregrounding the absoluteness of two key