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Erin Ash

white privilege” (2010: 207). Further, white savior films may also reinforce negative attitudes about African Americans because the notion that the recipients of the savior’s kindness need to be saved naturalizes black stereotypes, particularly those

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Jacob Breslow, Jonathan A. Allan, Gregory Wolfman, and Clifton Evers

acknowledge its discrepant effects, as they are amplified via race and racism. Both the “thug” and the “redneck” function as controlling images, Abelson writes, because of the ways in which they evoke and extend histories of racial stereotypes. While analyses

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“The Dragon Can't Roar”

Analysis of British Expatriate Masculinity in Yusuf Dawood's One Life Too Many

Antony Mukasa Mate

of admiration to be judged by the male-dominated world than an individual. Sydney's initial impression of Patricia as a stereotypical dumb blonde reaffirms the masculine stereotypes of the female other. He had already dismissed Patricia as incompetent

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Minority Report

Perceptions and Realities of Black Men in Heterosexual Porn

Darryl L. Jones II

the activities for which they have been associated for centuries: loose sex in artistic forms. Amy Wilkins observes that “racialized gender stereotypes are a source of both status and stigma for Black men” (2012: 168). Throughout the world, men of

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Elizabeth J. McLean, Kazuki Yamada, and Cameron Giles

poem, he instantiates a new intertextual crossing-of-paths in the antagonistic relationship between Wilde and James. Where the study seeks to dispel some of the existing tropes surrounding James and some of the Victorian sexual stereotypes prevalent in

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Christopher Blake Evernden, Cynthia A. Freeland, Thomas Schatz, and Frank P. Tomasulo

discusses sexual selection theory in order to further her argument that gender stereotypes and balance are not assumed in contemporary horror cinema. Psychologist Jeffrey Jensen Arnett is referenced for his concept of “emerging adults,” young persons who are

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Lowry Martin

Morocco, but also describing his own incestuous desire for his older brother. Although he links queerness with both gay sexual tourism and migration, his narrative decenters stereotypical notions of Arabic masculinity such as marrying, financially

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A Vision of the Viewer

Situating Narration in the Fiction Film in the Context of Theories of Narrative Comprehension

Joseph P. Magliano and James A. Clinton

relevant event schemas. In this way, he emphasized a dynamic relationship between the flow of images on the screen and the knowledge activated to support comprehension. Like Russian formalism, he specified how learned, stereotypical patterns in the syuzhet

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Andreas Baranowski and Heiko Hecht

stereotypes of people ( Thomas and Johnston 1981 ) and experiences ( Bordwell 1985 ) to let viewers form simplified representations of the portrayed events. Thus, simplifications are deliberately used by moviemakers, either to help the audience comprehend a

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India Halstead

gender stereotypes and celebrated the female form. This influential new body art movement included the likes of Yayoi Kusama, Yoko Ono, and Carolee Schneemann, who used their own bodies as canvases to pose difficult questions about agency and