length, clearly annoyed: ‘We told you not to go alone! There’s nothing great about Morocco! It is a dangerous place! Unlike yourselves we have learnt to walk ( hemos aprendido a andar ) in Morocco since we were kids!’ Questioning Stereotypes Our
Stereotypes, Risk and National Identity in a Spanish Enclave in North Africa
Livia Jiménez Sedano
structural set of evolutionist representations upon which the ‘world dances’ industries are established and developed in Europe. Their success relies on their echoing of postcolonial stereotypes that still work in the social imaginary of middle
Spatialities and Materialities of ‘Gypsiness’
Andreea Racleș and Ana Ivasiuc
ubiquity of the racist stereotype that the ‘Gypsy’ has a particular, unpleasant smell. On one hand, we aim to cover this striking gap in the literature on the racialisation of the Roma and connect with larger debates in sensorial anthropology and material
its pre-Islamic traditions, thereby distancing themselves from the Islamic state. As argued by several researchers of Iranian diasporic writing, the deteriorating relations between Iran and the US since 1979, the stereotypical media coverage of women
• What is the status of anthropology in Britain? • What does the general non-academic public know about anthropology? • What is the ‘stereotype’ of the anthropologist? • Does anthropological knowledge travel beyond academia to broader publics? • What is the status of anthropology within the University?
This article explores how the fluctuating cartography of East and West and the varying degrees of perceptive Europeanness influence everyday practices of the people working in Polish state bureaucracies, who professionally advance European integration within a national framework. While an important part of their self-image is formed through the dissociation from cultural 'Eastness' and the backwardness they ascribe to fellow citizens, they still experience negative stereotyping and mistrust from the part of the EU-15 'Westerners'. Consequently, East-Central European state officials oscillate on the continuum between cultural 'East' and 'West' and constantly negotiate distance, relatedness and thus their own liminal position. By scrutinising how Polish state officials aim at positioning themselves on the mental map of Europe, this article shows that they attempt to escape the cultural pattern of negative stereotyping and mistrust by using a functionalist narrative of efficiency. This is a rhetorical strategy employed to cope with existing asymmetries.
Class and Gender Dynamics among EU Civil Servants in Brussels
Drawing upon ethnographic fieldwork between 2007 and 2011 in Brussels, this article shows how visual markers, class distinctions and classification of gender performances come together to create a ‘Euroclass’ among European civil servants. These markings, distinctions and classifications are denoted on bodily hexis and body performance and evoke stereotypes and essentialised representations of national cultures. However, after the enlargements of the EU in 2004 and 2007 they also reveal a postcolonial and imperial dynamic that perpetuates the division into ‘old’ and ‘new’ Europe and enables people from old member states to emerge as a different class that holds its cultural power firm in a dense political environment permeated by networks.
African Women’s Entrepreneurial Ventures in Athens
This article addresses hairdressing as a forum in which African women running small salons in Athens negotiate identity and raise claims to modernity. The specificity of their entrepreneurial activities lies in that they occur at a time when the incorporation of ethnic modes of adornment in Western fashion captures Greeks' interest, but prevailing policies curtail the rights of displaced populations and look down upon their traditional performances. In this sense, my analysis touches upon issues of analytical importance to the ethnography on immigration in Greece. It exemplifies how African entrepreneurs diffuse seeds of their cultural legacy in the lifestyle of otherwise dismissive hosts as well as the multiple repercussions that their involvement in a major domain of consumption have on stereotypical imageries of and attitudes towards the Other.
The Case of Belarus
There is a stereotype that such former Soviet republics as Russia, Ukraine and Belarus are totally Orthodox. However, this statement is not entirely correct, as part of the population in these countries belong to many different churches, while a large part have rather eclectic religious and para-religious beliefs. In the case of Belarus, a major part of the population belongs to two Christian confessions, Orthodox and Catholic, while many other confessions and new religious movements also exist. Religious pluralism is a practical reality in Belarus which has the reputation of the most religiously tolerant post-Soviet country. Contemporary laws provide the legal basis for the tolerant relations in the country, and there is a historical tradition of religious tolerance in Belarus. Research data from the EVS studies and national surveys are used.
Kylie Message and Sandra H. Dudley
Whether or not museums can live up to the ideal that they provide a public forum has become something of a moot point, if not a stereotype of the past three decades. Museum studies researchers, scholars, and professionals have been proactive in their attempts to understand whether museums can or do provide a physical manifestation of what has been generally considered an aspirational concept or model of practice. Some have been directly inspired by philosophers and sociologists such as Jürgen Habermas (1991), Nancy Fraser (1990), and Craig Calhoun (1992), as well as the critical cultural studies “movements” that have circulated around interdisciplinary journals such as Theory, Culture and Society (http://tcs.sagepub.com/) and Public Culture (http://www.publicculture.org/). Others have drawn on current and emerging directions in disciplines such as anthropology, history, and geography to explore the public sphere concept from the perspective of transnational and postcolonial concerns, and have been influenced by theorists including Seyla Benhabib (1992), Arjun Appadurai (1996), Dipesh Chakrabarty (2000), and Aihwa Ong (2006). Ultimately, of course, much of the museum-focused work—within which we include both the theoretical and the applied (for example, exhibition-based)—has been interdisciplinary. Like the wider critical debates on which it draws and to which it contributes, museum scholarship has been aff ected by ongoing global change, and has reflected—and, in many national contexts, influenced—public policy shifts before and since the new millennium.