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Patricia Mainardi

the metal stereotype, the exact replica used for printing. Since many stereotypes could be cast from the original plate, numerous presses could churn out identical pages. 4 The use of stereotypes and the development of mechanized steam-driven presses

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“Racism Is Not An Opinion”

Muslim Responses to Pegida and Islamophobia in Germany

Karolin Machtans

a homogeneous group, thus creating the risk of inadvertently reinforcing what one seeks to combat: namely, the stereotype of a monolithic and static entity that Muslims in Germany do not in fact represent. Moreover, the perceived need to speak with

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What Was So Funny about Les Aventures de Rabbi Jacob (1973)

A Comedic Film between History and Memory

Michael Mulvey

French bourgeois. As Rabine noted, Pivert was himself a stereotype. The Mythical Bourgeois The film historian Jean-Pierre Jeancolas lamented that the cinematic season of 1973–1974 confirmed one truth about French cinema: comedy was “a dead genre.” 36 The

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Tyler Stovall

Tzvetan Todorov, On Human Diversity: Nationalism, Racism, and Exoticism in French Thought (Cambridge, MA: Harvard University Press, 1993)

Sue Peabody, “There Are No Slaves in France”: The Political Culture of Race and Slavery in the Ancien Régime (New York and Oxford: Oxford University Press, 1996)

Patricia M. E. Lorcin, Imperial Identities: Stereotyping, Prejudice and Race in Colonial Algeria (London and New York: I.B. Tauris, 1995)

Maxim Silverman, Deconstructing the Nation: Immigration, Racism and Citizenship in Modern France (London and New York: Routledge, 1992)

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Alexandra Ludewig

Since the fall of the Berlin Wall, unification, and the subsequent reinvention

of the nation, German filmmakers have revisited their

country’s cinematic traditions with a view to placing themselves creatively

in the tradition of its intellectual and artistic heritage. One of

the legacies that has served as a point of a new departure has been

the Heimatfilm, or homeland film. As a genre it is renowned for its

restorative stance, as it often features dialect and the renunciation of

current topicality, advocates traditional gender roles, has antimodern

overtones of rural, pastoral, often alpine, images, and expresses

a longing for premodern times, for “the good old days” that supposedly

still exist away from the urban centres. The Nazis used Heimat

films in an effort “to idealize ‘Bauerntum’ as the site of desirable traditions

and stereotyped the foreign (most often the urban) as the

breeding ground for moral decay.”

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Karl Cordell

This paper seeks to offer an assessment of the nature of identity among Poland's German minority and to investigate why since 1950 large numbers of that minority have migrated to Germany. It does so by examining the nature of identity in the historic Polish-German borderlands, by recounting the experiences of those Germans who remained behind in Poland after the post World War Two expulsion process was completed in 1949, and by examining the continued salience of negative stereotypes of Germans and Germany among elements of Polish society. The paper highlights a number of salient factors of importance for members of the minority in deciding whether or not to stay in Poland or to migrate to Germany.

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Ingeborg Majer-O'Sickey

As host of the 2006 soccer World Cup in June and July 2006, Germany was suddenly full of different Germans, waving millions of black-red-gold mini flags and wearing their (and others') national colors with abandon. Was this show of nationalism a new kind of trans/national patriotism? Most certainly, the national enthusiasm exhibited in Germany had nothing whatsoever to do with past demonstrations of patriotism. With the focus on the country as host to world soccer aficionados, the world also learned of a multicultural Germany that has existed for the last fifty years or so. It learned that it is not always successful with its social and economic problems, and that the desire for national unity is sometimes difficult to fulfill. Quite correctly, the national media described Germany as joyous, generous, and open-minded hosts. In the foreign press, too, the old stereotypes were broken down.

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French E-Managers

A Generation in the Making

Mette Zølner

In the spring of 2000, the Financial Times eagerly predicted that the world would be piloted by a new global generation of managers who, having been educated at business schools, share similar ideas and values.1 To this generation belong managers in start-up companies that provide goods and services online. These e-managers work with and on the Internet, which reaches worldwide instantly and redefines our concepts of time and place. Since emanagers have the whole world as their “playground,” they are likely to replace traditional nation-based feelings of belonging with new values and identities. French magazines went even further than the Financial Times, stating that since e-managers speak English and have adopted the American way of doing business, they would eventually Americanize French society.2 Or, rather, e-managers would turn France into a society that mirrored the stereotypes of American society that have been prevalent in France.

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The Other French Exception

Virtuous Racism and the War of the Sexes in Postcolonial France

Nacira Guénif-Souilamas

Twentieth-century France invented for itself an "exception" that successfully preserved the French culture industry. Postcolonial France is experiencing another "French exception" that renders a "virtuous racism" commonplace and legitimates the discrimination that expresses this racism by identifying the undesirable "new French" as scapegoat figures. Four gender-specific stereotypes strengthen the belief that there is a form of sexism exclusive to the segregated neighborhoods of the suburbs that are inhabited primarily by French people of immigrant and colonial descent. Associated with the central figure of the garçon arabe are the beurette, the veiled Muslim French woman, and the secular Muslim. The article argues that the model of abstract, universalist France has become one of a fundamentalist republicanism that plays diverse expressions of otherness and singular identities off of one another in order to preserve a soft regime of oppression.

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Nathalie Etoke

This essay is an intimate account of my encounter with Aimé Césaire. I first met him in high school. I was seventeen years old, and I had never read any work comparable to his Notebook of a Return to the Native Land. That book left me confused. The more I read the less I understood. A student in lettres modernes at Université Charles De Gaulle, I became tormented by identity issues. My years in France introduced me to racism, to an other who observed me without seeing me—between us centuries of violence, stereotypes, misunderstanding, unrequited love, unresolved conflict, unshared suffering. How do you get rid of the cutting glance that murders the Promise of Tomorrow? Césaire gave me an answer to that question.