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Sade for Sade's Sake

Inside Paul Chan's Transmedial Laboratory

Olivier Delers

French Bibliothèque Nationale are all indications that Sade was considered a highly contagious disease that must be contained. This article focuses on the transmedial experiments of the New York–based artist Paul Chan in his 2007 project Sade for Sade

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Mark J.P. Wolf

Just as perceptual gestalten complete images and narrative gestalten complete storylines, both encouraging audiences to fill in missing information based on the information provided, the data pertaining to an imaginary world can collectively generate a world logic that helps audiences extrapolate and fill in gaps, resulting in the illusion of a complete and consistent imaginary world, through we what might call world gestalten. This article examines how these gestalten occur and function, how they contribute to the illusion of a complete world, and the importance of this process to transmedial entertainment franchises that are set in imaginary worlds.

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Andrew J. Ball

American silent cinema, and in this issue we are pleased to present Olivier Delers's article on transmediality in Paul Chan's art project Sade for Sade's Sake . These two issues also give us a glimpse into many of the topics we will prioritize in the

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Affective Anachronisms, Fateful Becomings

Otaku Movement and the Joan of Arc Effect in Type-Moon's Transhistorical Anime Ecology

David John Boyd

). Although Lamarre rethinks the transmedial and convergent relations between otaku (“anime fan”) activities and labor with new media forms and technologies, he effectively rewrites a cultural anthropology of the otaku as a critically engaged vernacular