manufacturing of a communist (biography)—the manufacturing of nation(al identity)], in PRL—życie po życiu [PRL—life after life], ed. Katarzyna Chmielewska, Agnieszka Mrozik, and Grzegorz Wołowiec (Warsaw: Wydawnictwo IBL PAN, 2013), 47–89. 9 Foucault, The
The Case of Wanda Wasilewska and Polish Communism
limited public visibility. The reason these problems are topical is the continued absence of women writers in the canon of Bulgarian authors/literary texts considered representative in terms of national identity and culture. This absence is even more
The Observations of a Russian Woman Traveler (1868)
This article examines Maria F. Karlova's relatively unknown travelogue about her visit to Ottoman Macedonia and Albania in 1868. She was a sister of the prominent Slavist scholar and diplomat Alexander F. Gil'ferding and traveled with him. She appears to be the only known Russian female traveler to publish a travelogue about the Ottoman Balkans until the late 1870s. Karlova constructs her gender identity through elite lenses against three principal backdrops: the Turkish province, Europe, and Russia. She offers an example of how gender and class can be inserted into discourses about Russian identity and Russia's place in Europe's symbolic map of modernity. She also introduces gender issues into debates about Russia's political interests and Slavophile views about the Balkans. This article argues that Karlova asserts her sense of belonging to European elite culture in order to raise the issue of women's emancipation. The travelogue provides insights into the process of gender construction in Russia. The intertwined themes of gender, class, and national identity are compared to contemporaneous Victorian women's travelogues.
Gender Trouble in Bulgarian Culture Today
Milena Kirova, Literaturniat kanon. Predizvikatelstva (The literary canon. Challenges) (Sofia: Sofia University Press, 2009), 287 pp., 15 BGN (hb), ISBN 978-954-07-2811-7.
Milena Kirova, ed., Neslucheniat kanon. Bulgarski pisatelki ot Vuzrazhdaneto do Vtorata svetovna voina (The canon that did not happen. Bulgarian women writers from the Bulgarian national revival period to World War II) (Sofia: Altera, 2009), 430 pp., 18 BGN (pb), ISBN 978-954-975-732-3.
Milena Kirova and Kornelia Slavova, eds., Identichnosti v prehod: rod, medii i populiarna kultura v Bulgaria sled 1989 g. (Gender identities in transition: Media and popular cul- ture in Bulgaria a er 1989) (Sofia: Polis Publishers, 2010), 256 pp., 12 BGN (pb), ISBN 978-954-796-032-9.
A European Research Network Exploring the Life Histories of a Hidden Population
Kimberley Anderson and Sophie Roupetz
the so-called verification and rehabilitation. These processes allowed a share of the population to reacquire Polish citizenship. Upper Silesians whose national identity seemed questionable to the authorities or even to suspicious fellow citizens faced
Edited by Raili Marling
of social control. This volume of Aspasia also publishes two articles outside of this thematic section that both touch on topical themes related to the construction of national identity. Anđelko Vlašić tackles the representation of the status of
Sharon A. Kowalsky
national identity. Despoina Tsourgianni's article shifts the focus to representations of female identity through an exploration of the photographs and self-portraits of the Greek diaspora artist Thaleia Flora-Caravia (1871–1960). Analyzing the self
Foreign Governesses in Wallachia in the First Half of the Nineteenth Century
an individual and institutional level, in the creation of Romanian national identity. But, more notably, this study highlights the importance of these women in the development of class identities, as they were crucial social agents in the cultural
Sharon A. Kowalsky
contributed to the creation of new Romanian class and national identities, as governesses transmitted Western ideals to their students while also adapting to the realities and demands of the local context. Working in both private homes and state
Monika Rudaś-Grodzka, Katarzyna Nadana-Sokołowska, Anna Borgos, and Dorottya Rédai
Institute of Literary Research of the Polish Academy of Sciences under the leadership of Monika Rudaś-Grodzka. The project, which is financed by a grant from the Narodowy Program Rozwoju Humanistyki (NPRH, National Program for the Development of the