We live in the Information Age, also called the Digital Age, which started with the introduction of the very first personal computer in the 1970s, initiating the Digital Revolution ( Castells 1999 ). When the first personal microcomputer was
The Digital Age Opens Up New Terrains for Peace and Conflict Research
Josepha Ivanka Wessels
Multimodal Extension in the Works of Aleix Saló
Javier Muñoz-Basols and Marina Massaguer Comes
Numerous authors of comics and graphic novels have used the economic crisis in the Iberian Peninsula as a narrative frame for social criticism. Prominent amongst them is the Catalan cartoonist Aleix Saló, who burst onto the comics scene with his animated YouTube video Españistán, a book trailer for his graphic novel Españistán: Este país se va a la mierda [Españistán: This country is going to hell] (2011). This article shows how Saló offers a humorous and didactic portrait of the devastating effects of the economic crisis: he does this through multimodality (using specific shapes, colours, fonts and components of orality) and through creating ‘multimodal extensions’, intertextual relations between published books and book trailers. This analysis presents a case study of the multimodal techniques that authors use to shape and develop their work in the context of the powerful relationship between text and image in the digital age.
further information. The outline of the article is as follows: it begins with a brief background study of the opportunities and limitations the digital age brings for women. The article continues to examine the online efforts of Iranian women in the
Comment on the Special Section on Cultural Appropriation
“Appropriation“ is a complex term used in many different realms, and an almost ubiquitous phenomenon. Conceptually linked to questions of mobility, appropriation has both a social and physical dimension. This essay delineates the term's employment in key political and academic discourses, and interrogates its inherent logic with regard to possession, the attribution of purpose and value, and the social reciprocity of the parties involved in the act. Starting off with questions of just distribution in modern nation-states, the argument then traces appropriation in contemporary debates on copyright in a digital age, and provides a sketch of the larger political imaginary informing acts of appropriation.
Lena Saleh and Mira Sucharov
Drawing from the authors’ experience teaching op-ed writing across a variety of subjects as well as teaching Israeli-Palestinian relations using a range of methods, this article describes the benefits of using op-ed writing assignments in an Israel-Palestine course. The authors demonstrate the value of showing students how to develop concise, research-based prescriptive arguments that can complement what is often an explanatory-only approach to understanding Israeli-Palestinian relations. The article lays out the challenges and opportunities of helping students master a public commentary form that is becoming increasingly central in the digital age.
Thomas K. Hubbard
Adolescent sexuality has been at the forefront of the recent “Culture Wars,” as is clear from the many news stories and political battles over issues such as sex education, teen pregnancy and STDs, Child Sexual Abuse, enhanced legal regulation of sex offenders, pedophiles on the internet, “sexting” and child pornography. On the one hand adolescents today are more sexually mature than at most historical periods: physical puberty occurs ever earlier (Moller, 1987), while children’s capacity to access the same media as adults grows ever more sophisticated. Already in 1982, Neil Postman presciently observed that electronic media had obliterated the historical technological superiority of literate adults relative to not‐yet‐fully-literate children (Postman, 1982). At that point, he was thinking mainly of television, but his observation has become even more true in the digital age, when adolescents are often the ones teaching their parents and grandparents. 1982 had not yet grasped what would be the ubiquity of MTV or cheap, highly graphic visual pornography in many parents’ closets, or if not there, on their kids’ computer screens. Children have become the most clever at accessing media at precisely the time when popular media culture is more saturated with verbal, musical, and visual images of sexuality than ever before.
Communicating with the Dead in the Digital Age
? In what follows, I explore these questions by drawing upon data derived from the American-based online memorial site ForeverMissed.com . Inspired by José van Dijck’s (2007) Mediated Memories in the Digital Age , I argue that online memorials
Exploring Girlhood Identity in Technology Camp
Jen England and Robert Cannella
various media. To reconceptualize often male-dominated tech spaces, we framed GRTC 2016 around a theme: What does it mean to be a girl in the digital age? We unpacked and explored this theme through discussing, blogging, workshopping, and completing a
J. Cammaert Raval
-standing Luo-Kikuyu power politics; and how an uncut man, once discovered, can face immediate emasculation by his community. Forced circumcisions of the uncut have taken on new forms in the digital age, as the sensationalized Twitter handle #gocutmyhusband has
Weaknesses in Corporate and Law Enforcement Responses to Cyberviolence against Girls
Suzanne Dunn, Julie S. Lalonde, and Jane Bailey
the Digital Age .” In Bailey and Steeves 2015 : 229 – 252 . Gandy , Imani . 2014 . “ #TwitterFail: Twitter’s Refusal to Handle Online Stalkers, Abusers, and Haters .” Rewire , 12 August . https://rewire.news/article/2014/08/12/twitterfail