refers to as the practico-inert , which I will explain further below. 3 Race is one of those ideas, and it is permeated with beliefs, norms, and values. And although a belief in the superiority or inferiority of racial groups–i.e., racism
A Sartrean Contribution to Resisting Racial Injustice
Justin I. Fugo
Frantz Fanon was an enthusiastic reader of Sartre's Critique of Dialectical Reason and in this essay I focus on what can be gleaned from The Wretched of the Earth about how he read it. I argue that the reputation among Sartre's critics of the Critique as a failure on the grounds that it was left incomplete should take into account its presence in Fanon's The Wretched of the Earth. Their shared perspectives on the systemic character of racism and colonialism, on the genesis and fragility of groups, and on parties indicates the vitality of the ideas set out in the Critique. However, these similarities between the two thinkers are offset by their differences on national consciousness and on the rural masses. I end by speculating about a certain defence on Sartre's part toward Fanon's concrete experience.
A Re-Evaluation of The Color Curtain
The Color Curtain reflects Richard Wright's problematical assessment of the 1955 Bandung Conference and his difficult attempts to reconcile his sincere denunciation of the consequences of colonialism and racism on people of Asian and African descent with his condescending representation of Third World nationalism during the middle of the twentieth century. The book reveals striking paradoxes in Wright's evaluation of a nationalism that he occasionally vilifies as an ideology that was grounded on impassioned and essentialist cultural or religious affiliations and feelings. Yet Wright's demeaning, elitist, and patronizing attitudes about Third World nationalism and cultures did not prevent him from identifying with the core spirit of the Bandung Conference. In his assessment of the summit, Wright occasionally reveals his admiration for a Third World nationalism that echoed his disparagement of Western racism and imperialism.
More than any other novel of the last fifty years, Sam Selvon's The Lonely Londoners (1956) has emerged as the talismanic literary account of the consequences of postwar migration to Britain. These consequences are well known: Selvon's novel engages with the growing racism of London; the challenge of his characters – Moses, Galahad and others – to find work, accommodation and sustenance (both emotional and material); the defiant attempt to resist prejudice and establish a new, vibrant and cosmopolitan London culture. Yet perhaps the least discussed issue in the novel is Galahad's fatherhood; early in the novel, and only once, a reference is made to the fact that, eight-and-a-half-months after Galahad's arrival, a young woman can be spied pushing a pram through Ladbroke Grove that contains his son. The appearance of this enigmatic child - quickly forgotten by his father, Selvon's novel and its critics - exposes the disruptive and transformative effect on the family by the historical phenomenon of postwar migration.
Talking to Patricia J. Williams Following the Reith Lectures.
Richard H. King, Sharon Monteith, and Patricia J. Williams
This year’s Reith Lecturer was Patricia J. Williams, a lawyer and Professor of Law at Columbia and author of the award-winning The Alchemy of Race and Rights (1993) and The Rooster’s Egg: The Persistence of Prejudice (1995) as well as numerous essays and articles in law journals and in The Village Voice, The Nation and Ms. Magazine. Professor Williams was invited to speak in this the European Year Against Racism but she found herself and the topic of her lectures the subject of heated media debate in Britain. Tabloids and broadsheets alike reviled her as ‘a militant black feminist who thinks all whites are racist and the family is wrong’ (Daily Mail) and her lectures were even described as ‘mumbo-jumbo’ in the Daily Telegraph. Britain’s newspapers and Melvyn Bragg on Radio 4’s ‘Start the Week’ combined to demonise the first black woman speaker in the 49-year history of the Reith Lectures.
The Case of Bullfighting
The Portuguese animal rights movement has been extremely active in campaigning against bullfighting. Indeed, from 2002 to 2014, this was their main priority in terms of campaigns. In this article, I assess how these campaigns have been carried out, arguing that the animal rights movement in Portugal has been othering supporters and practitioners of bullfights in their campaigns. In other words, their campaigns have consisted of drawing a sharp contrast between bullfight supporters and practitioners and the rest of the population. I argue that a consequence of this is that the speciesist practices of the majority of Portuguese have become normalised; consequently, leading to the reinforcement of some speciesist norms.
Welcome to the Postmodern Melancholy of Gordimer's Post-Apartheid World
Raymond Chandler used to say that whenever he got stuck writing a novel he would get going again by having a character come through the door with a gun in hand. Reading the opening pages of Nadine Gordimer’s new novel with its account of a sensational murder, one might wonder whether South Africa’s 1991 Nobel laureate, faced with the end of apartheid and the consequent lack of a subject, was operating according to Chandler’s principle. The House Gun, however, indicates not so much the lack of a subject as a new way of looking at an old subject facing new circumstances – the old subject being the psychological and material effects of white racism on whites, the new circumstances being those of post-apartheid South Africa. Moreover, the apparent narrowing of focus from the macropolitics of Gordimer’s three most recent preceding novels, None to Accompany Me (1994), My Son’s Story (1990), and A Sport of Nature (1987), to the micro-politics of The House Gun suggests that we can read South Africa’s transition to full democracy as a paradigmatic change from a modern to a postmodern condition. Gordimer’s post- 1994 publications, and The House Gun in particular, lend themselves to being read as illustrative of two of Michel Foucault’s central insights: the ubiquity of power, and the consequent idea that given that ubiquity, care of one’s self (‘souci de soi’) becomes a new kind of political obligation.
This year American scholar Patricia J. Williams was invited to Britain to speak as Reith Lecturer, only the fourth woman and the third black speaker to contribute to the prestigious series of lectures which has a 49-year history. Her chosen subject was as topical as it proved controversial. Professor Williams’s subtle and measured discussion of the persistence of racism in daily life – and in even the most liberal of consciousnesses – struck a chord in British society. The furore that broke in the press was based as much in a certain ‘British’ intransigent refusal to allow that the persistence of prejudice could possibly be as ‘bad’ here as across the Atlantic as it was in a basic reluctance to address distinctive realities in contemporary society. Richard H. King and I interviewed Williams immediately following the transmission of the lecture series on Radio 4 and the transcripts, published by Virago as Seeing a Colour-Blind Future: The Paradox of Race, are reviewed in this issue by Larry Brown. Brown places Williams alongside fellow African-American scholar bell hooks in order to assess the different perspectives they take on issues of race and the politics of identity, and in order to decide on nature of the often very different roles of contemporary black intellectuals.
While permitting other types of exploitation such as racism. With its emphasis on separate spheres, its depiction of Florence's superhuman healing powers, and its concern with redeeming the patriarch, Dombey and Son certainly seems more interested in a mildly gradual improvement of the status quo than in radical change. Yet to ignore Florence's desire, however conveniently that desire sometimes feeds into patriarchal dominance, is to overlook not only a complex portrayal of female sexuality that is neither condemned nor entirely denied, but also a depiction of the painful and difficult task of molding desire into culturally acceptable forms. Although the novel cannot imagine a full integration of women into the 'masculine' realm of politics and business, the dilemma of Florence and Edith in some ways reflects the problematic posed by conflicting concepts of twentieth and even twenty-first century feminism: does one, like Florence, focus on inclusion and acceptance in an attempt to change patriarchal structures from within, thereby abandoning truly radical change; or does one, like Edith, insist on rebellion from the margins, sacrificing community and risking the possibility that the center will conveniently ignore the margin's demands?
Aḥmad al-Izkī’s Fusion of Shakespeare and Classical Arab Epic
; the play argues for inclusivity and cooperation in the face of deep-seated racism and rising sectarianism. The hybrid nature of al-Izkī’s theatrical project celebrates Oman’s cosmopolitan, multicultural history and its tradition of diplomatic mediation