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Disruptive Technology

Social Media from Modiano to Zola and Proust

Elizabeth Emery

their literary landscape. * He expressed concern about how these new forms of information technology encroach upon the silence and intimacy necessary for human reflection and, by implication, for the production of literature. 1 Modiano’s comments were

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Paul Gyllenhammer

is based on this power to master and optimize mere matter. Mathematics, mechanics, electromagnetics, and nuclear physics put things into service for us. This is the rule of the enframing attitude of technology. It is also nihilistic, according to

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Peter Soppelsa

Chandra Mukerji, Impossible Engineering: Technology and Territoriality on the Canal du Midi (Princeton, NJ: Princeton University Press, 2009).

Sara Pritchard, Confluence: The Nature of Technology and the Remaking of the Rhône (Cambridge, MA: Harvard University Press, 2011).

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Le Rallye Méditerranée-le Cap

Racing towards Eurafrica?

Megan Brown

roadways a less imperative, or even unnecessary, means of exerting imperial might. New technologies, particularly improved air travel, erased the necessity of direct access to African territory that was at the heart of the rally's ideology. Second, the

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Roll Out the Barrel

French and Algerian Ports and the Birth of the Wine Tanker

Owen White

of Midi wine producers to Sète’s role in the importation of Algerian wine would continue well after Algeria became independent. 88 Stories of resistance to new technology rarely look heroic in hindsight. In Rouen, the protests of dockworkers against

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Laura Downs, Stéphane Tonnelat, and Joan Scott

Laura Downs Simone Weil by Francine du Plessix Gray

Stéphane Tonnelat The Glass State, The Technology of the Spectacle, Paris, 1981-1998 by Annette Fierro

Joan Scott Fausse Route by Elisabeth Badinter

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Articles Special Issue on Representations, History, and Wartime France Special Issue on French Studies and Its Futures Dossier on Technology, the Visual, and Culture Reflections, Events, and Debates Review Essays Book Reviews Index of Books Reviewed

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La naissance d'un géant

Arcelor-Mittal (1948-2006)

Éric Godelier

In 2006 a terrible fight pitted two steel makers, Mittal and Arcelor, against each other. Understanding the dynamic of this enormous takeover requires a historical perspective. The structure, business strategy, and corporate governance of these groups evolved over a long period of time. This article explores the conflict in the context of the history of French steel industry. An examination of Usinor, moreover, as the ancestor and creator of Arcelor, can reveal a lot about the political, social and economical influence of steel makers in French society. Understanding the conflict also calls for an analysis of how a large company could change its corporate culture. Instead of reducing corporate culture to individual or collective “values,” as Edgar Schein did some time ago, this article explores Usinor's culture as a system of representations, material elements, technologies, products and ways of doing and thinking.

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An Inconvenient Expertise

French Colonial Sailors and Technological Knowledge in the Union Française

Minayo Nasiali

In the 1950s, French shipping companies began to replace their old fleet of steamships with new diesel ships. They also began to lay off sailors from French Africa, claiming that the changing technology rendered their labor obsolete. The industry asserted that African sailors did not have the aptitude to do other, more skilled jobs aboard diesel vessels. But unemployed colonial sailors argued differently, claiming that they were both able and skilled. This article explores how unemployed sailors from French Africa cast themselves as experts, capable of producing technological knowledge about shipping. In so doing, they shaped racialized and gendered notions about labor and skill within the French empire. The arguments they made were inconvenient, I argue, because colonial sailors called into question hegemonic ideas about who could be modern and who had the right to participate in discourse about expertise.

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“Plunging the Soul into Contemplation”

On MoMA's Le Corbusier: An Atlas of Modern Landscapes

Nicole C. Rudolph

This article reviews the New York Museum of Modern Art's recent Le Corbusier retrospective and its accompanying catalogue. The author critically evaluates the curators' reassessment of Le Corbusier's legacy via the lens of landscape. A key insight gleaned from the show pertains to technologies of mobility: inspired by the views from the automobile, the steamer, and the airplane, Le Corbusier deployed modern materials and techniques of mass construction in order to maximize an inhabitant's contemplation of the natural world. What we learn from Le Corbusier: An Atlas of Modern Landscapes, the author argues, is that the architect valorized and designed to prioritize “3 Cs”: circulation, composition, and contemplation. The notion of contemplation may be more useful to understanding Le Corbusier's architecture than the concept of landscape.