patriarch perhaps, standing for the Law; and he will be tricked, just as Satan was tricked by the Incarnation, according to the tradition of the Middle Ages’. 6 He does not dwell on the deception of Satan, which I will discuss below, and instead argues that
The failure to resolve the Arab-Israeli conflict for many years has often been attributed in significant part to the absence of trust in the sincerity of the other side and, more specifically, to the recalcitrant nature of the opponent. Analyses of past proposals and actual negotiations have pointed out missed opportunities, possibly the result of misperceptions or misunderstandings. Recent archival research, publications, and interviews regarding the Israeli protagonists reveal that actual deception, as distinct from ‘misperception’, may have been at play. The article examines this phenomenon as it has appeared since 1967 in six instances of Israeli government dealings with its own public and with the US or the international community, even in recent months, due primarily to an unwillingness to withdraw from the Occupied Territories or agree to enter serious negotiations for ending the conflict with the Palestinians.
J. Brandon Colvin
People are bad at recognizing liars. Data culled from several psychological experiments demonstrates that even the most well trained individuals – government agents, police officers, and so on – can barely succeed at a 50 percent rate. Lying and deception, however, are fundamental narrative elements in several film genres – particularly the detective film and the female gothic, genres that peaked in popularity in 1940s Hollywood. Considering their real-life lack of proficiency, how do viewers successfully spot deception in such films? Drawing on findings from a handful of experiments, this article brings cognitive psychological concepts to bear on two 1940s films: Out of the Past (1947) and Secret Beyond the Door (1948). The article claims that filmmakers, particularly actors, exaggerate, simplify, and emphasize deception cues to selectively achieve narrative clarification or revelation. This process reveals not only how viewers recognize deception, but how actors stylize real-life behavior in service of narrative and aesthetic priorities.
Questions of Agency and Self-deception as Refracted through the Art of Living with Spirits
The story of a young man from the Western Indian Ocean island of Mayotte who was prevented from a career in the French army by an illness sent by a spirit who possesses his mother inspires reﬂection on the nature of agency. I suggest that spirit possession and the ill- nesses it produces are intrinsically ironic. The prevalence of irony implies not that we should disregard agency but that perhaps we should not take it too literally.
Some Observations on Motives, Strategies, and Their Consequences on the Reconfigurations of State and Media
Audrey Laurin-Lamothe and Michel Ratte
The first part of this article reports the main events of the 2012 student protest in Quebec leading to the government’s adoption of Bill 12. It highlights the major ideological conflict generated through the liberal managerial mutation of the academic institutions as a key to understand more clearly the student’s claims. Rapidly, the standard strike was transformed into a massive mobilization that produced many protests and other forms of resistance. The response given by the government to these unprecedented acts of resistance was Bill 12, to be understood as a symbolic coup d’état with voluntarily disruptive media effects whose aim was to make people forget the massive rejection of a pseudo tentative agreement in relation to Higher Education reform. The bill was also supported through the abusive and twisted use by the government of a series of buzzwords, like “bullying” and “access to education”, which were relayed by the media. The authors also discuss the issues surrounding the traditional conceptions regarding the analysis of discourses, mobilizing Orwell’s concept of doublethink and the notion of selfdeception inherited form Sartre.
Power and Deception in Afro-Brazilian Capoeira
Sergio González Varela
This article is about the meaning of mandinga in Afro-Brazilian capoeira as it is practiced in the city of Salvador, Brazil. Capoeira is an art form that combines elements of ritual, play, and fight. My main argument focuses on the mandinga as an indigenous form of power that shapes social relations, bodily interaction, magic acts, and the definition of a person. The concept of mandinga offers an understanding of the deceptive logic of capoeira and contributes to the development of an ethnographic theory of power. The emphasis here is on the importance of mandinga as a strategy for fighting and as a principle for social interaction with strong ontological implications. It is considered a cosmological force that affects the foundations of subjective reality and the perception of the world.
Life Journeys across Borderlands of Memory and Deception; Michal Giedroyc and Ryszard Kapuscinski
This article combines an auto-ethnographic approach with literary criticism and applied anthropology. It is about the lives of two men whose journeys through the major events of the twentieth century via different routes and moral choices suggest that literary ends do not always justify the means. Ryszard Kapuscinski (1932-2007), a world-renowned Polish journalist-turned-bestselling author, personally witnessed twenty-seven revolutions and military coups. His travel accounts stretch over five continents and have been widely recognized for their poignant dissection of the human condition. However, recent biographical details and examination of Kapuscinski's reporting methods by social researchers and field anthropologists have raised questions about the credibility and ethics of his works. By comparing his lifework and that of the lesser known Polish cross-cultural traveler exiled to Britain, author Michal Giedroyc (b. 1929), this article contextualizes political and personal dilemmas of both writers. They were born 150 kilometers apart in the multi-ethnic eastern Polish borderlands (now in Lithuania and Belarus). Their childhoods were similarly traumatized by the Nazi-Soviet division of Poland in September 1939. Both of their life journeys brought them into a united Europe in 2005 as Polish and British citizens, respectively.
Reining in the Future in the Yemeni Youth Revolution
’ constituted a collective act of temporal deception on the part of the revolutionaries. This trickery extended not just to anthropological expectation concerning what time is and how social life moves, but, more crucially, to the regime itself. After a year of
If people generally do a poor job of recognizing liars, it is interesting that so many movies employ deceptive characters. Duplicity and prevarication are common plot devices whereby scheming characters maneuver to get their way. Such movies often rely on viewers’ abilities to recognize the deception at hand. Does this represent a disconnect between movies and life, with viewers tasked in one arena with a skill set that doesn’t seem to function well in the other?
Anthropology and the alternative truth of America's 'War on Terror' in the Sahara
This article, based on almost eight years of continuous anthropological research amongst the Tuareg people of the Sahara and Sahel, suggests that the launch by the US and its main regional ally, Algeria, in 2002–2003 of a ‘new’, ‘second’, or ‘Saharan’ Front in the ‘War on Terror’ was largely a fabrication on the part of the US and Algerian military intelligence services. The ‘official truth’, embodied in an estimated 3,000 articles and reports of one sort or another, is largely disinformation. The article summarizes how and why this deception was effected and examines briefly its implications for both the region and its people as well as the future of US international relations and especially its global pursuance of an increasingly suspect ‘War on Terror’.