white privilege” (2010: 207). Further, white savior films may also reinforce negative attitudes about African Americans because the notion that the recipients of the savior’s kindness need to be saved naturalizes black stereotypes, particularly those
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Christopher Blake Evernden, Cynthia A. Freeland, Thomas Schatz, and Frank P. Tomasulo
discusses sexual selection theory in order to further her argument that gender stereotypes and balance are not assumed in contemporary horror cinema. Psychologist Jeffrey Jensen Arnett is referenced for his concept of “emerging adults,” young persons who are
A Vision of the Viewer
Situating Narration in the Fiction Film in the Context of Theories of Narrative Comprehension
Joseph P. Magliano and James A. Clinton
relevant event schemas. In this way, he emphasized a dynamic relationship between the flow of images on the screen and the knowledge activated to support comprehension. Like Russian formalism, he specified how learned, stereotypical patterns in the syuzhet
Catalin Brylla and Mette Kramer
related but not interchangeable. Another example is the use of social stereotypes—a common contextual coefficient in documentary production and reception. This particular coefficient may or may not lead to the social impact of prejudice toward and
Andreas Baranowski and Heiko Hecht
stereotypes of people ( Thomas and Johnston 1981 ) and experiences ( Bordwell 1985 ) to let viewers form simplified representations of the portrayed events. Thus, simplifications are deliberately used by moviemakers, either to help the audience comprehend a
David Bordwell
a role for stereotyped conceptual structures that the perceiver deploys in order to identify what’s going on and fit that to a larger context. My only substantive comment on Joe and James’s useful analysis is to wonder whether the focus on verbal
Dan Flory
followed in his footsteps. As a performer who refined the racist “coon” stereotype in early sound movies, Perry frequently resorted to eliciting humor through racialized disgust by means of exaggeratedly witless actions such as the one mentioned above; and
Rogue or Lover
Value-Maximizing Interpretations of Withnail and I
Peter Alward
Robinson received from Zeffirelli does not excuse the portrayal of Monty in this episode as a sexual predator, a portrayal that perpetuates harmful stereotypes. Moreover, any ameliorating effect the allusions made by these episodes might have is undermined
Synthetic Beings and Synthespian Ethics
Embodiment Technologies in Science/Fiction
Jane Stadler
overcome developmental challenges of transforming fiction into reality ( 2011, 197 ). By contrast, Despina Kakoudaki (2014) views science-fictional developments in cybernetics and robotics as stereotypical, arguing they have very little to do with
What Does It Mean to Be an Ecological Filmmaker?
Knut Erik Jensen’s Work as Eco-Auteur
Mette Hjort
relocating sand dunes in the Phi Phi Islands National Park, so as to achieve a perfectly stereotypical paradisal look. Consistent with activists’ predictions, the devastating effects of removing well-established natural defenses against erosion became evident