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Christiane Katz and Gijs Mom

Scholarship in the history of the electric vehicle has covered the first wave of enthusiasm in this alternative propulsion system well. On the basis of this scholarship, we find that this wave consisted of three generations: first, before 1905, a pioneering generation of electrified carriages; then a second generation from 1905 to 1920 of vehicles also derived from horse drawn technology but now equipped with a sophisticated lead-acid battery and, most of all, supported by a management system based upon subscriptions for batteries and tires in cents per kilometer; and finally, from the 1920s on, a generation of would-be petrol cars on which the electric propulsion was hidden, as a silent recognition of the victory of the petrol car.

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Georgine Clarsen Gijs Mom

The title of this journal, Transfers, merits explication, as it attempts to engage a multitude of scholarly fields, applications, practices and conceptual frameworks. For us, Transfers invokes the movement of people, things, and information through time and space, but it also applies to the transit of concepts between fields of scholarship. The practices of technology transfer are an example of the former, while the latter can be seen at work when the concept of mobility is used to refer to both social (or “vertical”) mobility and physical (or “horizontal”) mobility. Social mobility, for instance, comes into play when the possession of a car leads to higher status, or when the train compartment becomes a medium of social exchange or the display of social hierarchies rather than simply a vehicle of physical transport. Interdisciplinarity, the key scholarly mode of this journal, always involves the movement of ideas across disciplinary borders, unsettling them in (we think) productive ways. Transfers, in other words, connects adjacent fields of scholarship as much as it connects geographical areas between which technologies move. It is crucial to understand that during this process, people, technologies, concepts, and goods in movement are transformed and transform their environments in turn. This is not an automatic or passive process: as people move, people translate.

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Gijs Mom and Georgine Clarsen

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Georgine Clarsen and Gijs Mom

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Mimi Sheller and Gijs Mom

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Gijs Mom and Georgine Clarsen

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Sunny Stalter-Pace and Gijs Mom

How do you represent a moment when crossing a bridge became a major historical fl ash point? Th e twenty-fi fth of March of this year marked the fiftieth anniversary of Dr. Martin Luther King Jr.’s fifty-four-mile march from Selma, Alabama, to the state capital of Montgomery, a march to protest the lack of voting rights for African Americans in the southern United States. Th e major point of contention, where infrastructure and politics met, was the Edmund Pettus Bridge leading out of Selma. Th e first attempt to march occurred on what was later known as Bloody Sunday. Black protestors attempted to cross the bridge, against the instruction of local and state troopers. Th ey were beaten mercilessly and the footage was broadcast on national television. Th e second attempt took place after Dr. King put out a call to all Americans who identify with the civil rights movement. Th ey gathered on the bridge and knelt to pray. King sensed trouble and called off the march. After a court decision in favor of the protestors, the march took place.

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Gijs Mom, Georgine Clarsen and Cotten Seiler

At Eindhoven University of Technology, which has a modest reputation for collecting contemporary art, an exhibition of large machines and poetic video clips by father and son Van Bakel invites passersby to reflect on mobility. Gerrit van Bakel, who died more than a quarter century ago, became known for his Tarim Machine, a vehicle that moves at such a low speed that it almost does not matter whether it moves or not. The propulsion principle—for those who love technology—rests on the dilatation energy of oil in tubes propelling (if propelling is the right word …) the contraption a couple of centimeters over a hundred years or so, as long as there is change in temperature to trigger the dilatation. Emphasizing his father’s insights, Michiel van Bakel, exhibits a video clip of a horse and rider galloping over a square in Rotterdam, where the position and camera work are operated so that the horse seems to turn around its axis while the environment rotates at a different tempo. Mobility, these Dutch artists convey, is often not what it seems to be.

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Gijs Mom, Georgine Clarsen and Cotten Seiler

Last year President Hugo Chávez of Venezuela announced the appearance of what a Dutch national newspaper called an “anticapitalist car.” The two models, named by Chávez himself as the “Orinoco” and the “Arauca,” after rivers that run through Venezuela, are locally assembled under a preferential license agreement with the Chinese automaker Chery. The cars are sold for half the price of other makes and are marketed to the expanding Venezuelan middle class. They are intended as “new attainments of the revolution” that are meant to raise the “standard of life of the people.” This new venture was in a tradition that Chávez’s opponents claim started in 2006, when he came close to making a similar deal with Iranian president Ahmadinejad.

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Gijs Mom, Cotten Seiler and Georgine Clarsen

This issue is the last of volume 2. With this, we have reached a milestone in our fledgling history and a threshold to the last volume in our series of three in which we have strived, and still strive, to get all the important elements of a good journal in place. According to our original plans our priorities were to establish top-quality submissions, a splendid pool of knowledgeable and rigorous but generous transdisciplinary referees, efficient refereeing procedures, satisfactory rejection rates, timely manuscript production, and a subscriber base that crosses disciplinary boundaries. Although quantitatively not yet up to standard, our readership is variegated and adventurous enough to appreciate our desire to “rethink mobility” and dedicate printed space to “mobility writ large.” Before we begin to produce volume 3 (2012) this September, our editorial team will retreat, evaluate, and look each other in the eyes to determine what we can do better.