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Jonathan A. Allan, Chris Haywood, and Frank G. Karioris

On the cover of this issue, we have another image from the Wellcome Collection. This image by ABIA (Associação Brasileira Interdisciplinar de AIDS/Grupo) is a not-for-profit organization mobilized in response to the emergence of HIV/AIDS in the 1980's. The image is a reworking of the “Creation of Adam” by Michelangelo and was used as part of HIV/AIDS prevention advertising campaign.

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Jonathan A. Allan, Chris Haywood, and Frank G. Karioris

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Introduction

On a 1st Anniversary

Jonathan A. Allan, Chris Haywood, and Frank G. Karioris

Nota bene: This introduction was written near the end of 2020, a year that saw the world struggle with COVID-19. These issues make up the primary body of the below text. Yet, as we moved into the new year, perhaps thankful that 2020 had come to a close, on 6 January, and before the introduction was sent to publication, the US Capitol building in Washington, DC, was laid siege by far right extremists, White supremacists, and supporters seeking to stop the confirmation of the election of Joseph Biden. I [Frank] am reminded of a similar note I wrote in an article for the Sexual Violence Research Initiative's “16 Days of Activism” series in early December: “We write this post amidst political protests that have shaken Kyrgyzstan, with the recent election results being annulled. We send our thoughts for those working to ensure a fair, democratic, and transparent government; and hope for a speedabsy resolution to these issues” (Kim and Karioris 2020). In a similar sense, with the events still etched in our minds and processes just beginning to begin (arrests, an impeachment, etc.) and the inauguration still to come, we include this short note affirming our commitment to democratic principles, challenging violent masculinity, and supporting antiracist activism.

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Introduction

Bodies, Sexualities, and Masculinities in the Time of Coronavirus

Jonathan A. Allan, Chris Haywood, and Frank G. Karioris

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Jonathan A. Allan, Chris Haywood, and Frank G. Karioris

On the cover of this issue is an image taken from the Wellcome Collection. Titled “Dance of death: death and the pedlar”, the image shows a skeletal personification of Death picking through a basket of goods. In the basket are included masks, crosses, a deck of cards, swords, and a variety of other items. Published in the 18th Century, it is based on, and an interpretation of a piece in Basel on the Dance of Death. It is black and white and a print produced via etching a plate and using this to print the image.

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Jonathan A. Allan, Chris Haywood, and Frank G. Karioris

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Jonathan A. Allan, Chris Haywood, and Frank G. Karioris