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'The Lying Art'

Peter Porter's Modest Proposals

Adrian Caesar

I should begin with an apologia for my title. An interesting, entertaining and useful paper might be written about the satirical, Swiftian aspect of Peter Porter's poems. This isn't it. Nor am I concerned here with the imaginative and intellectual brilliance of so many Porter titles, though this too would make a fascinating subject. Rather my interest is in the idea of 'modesty' in relation to art and artists as it is articulated in Peter's work.

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Bruce Bennett, Adrian Caesar, Mariaconcetta Costantini, Tamas Dobozy, Clive James, John Lucas, Sean Purchase and Peter Steele

Notes on contributors

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Richard Godden, Hugh Underhill, Andrew Sant, Adrian Caesar, Michael Bartholomew-Biggs and Peter De Ville

Treblinka RICHARD GODDEN

Life Slips By A Lake’s Progress HUGH UNDERHILL

Golconda ANDREW SANT

The Gift The Trespasser ADRIAN CAESAR

For MJB Wherever This May Find Him MICHAEL BARTHOLOMEW-BIGGS

Surprise: St Paul’s PETER DE VILLE

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Catherine Byron, Adrian Caesar, Philip Callow, Barry Cole, George Dandoulakis, Angela Leighton, Clare MacDonald Shaw, John Mole, Tom Paulin, Peter Porter, Philip Ramp, Arnold Rattenbury, Maurice Rutherford, William Scammell, Matt Simpson, Mahendra Solanki, Anne Stevenson, Tim Thorne, John Tranter, Dimitris Tsaloumas, Gael Turnbull and Hugh Underhill

St Thomas Aquinas in MacNeice’s House, September 23rd, 1957

In an Australian Garden

Red Wine and Yellow Sun

For a Cornet Player, Retired

The Altar of the Motherland (trans.: Andreas Kalvos)

Looking at Pictures

Street Flowers

Fats

Oxford

The Puppy of Heaven

The Island Market

More Friggers for John: 22: Convict Tokens 1815-1840; 23: Trench Art 1914-1918

Only Connect

Self Improvement

Taking the Hexameter a Walk – a letter to John Lucas

From ‘The Riverside’

A Ballad for Apothecaries, Being a Poem to Honour the Memory of Nicholas Culpeper, Gent …

The Aisles

Sails

Aegina

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Mémoire Involontaire