This essay explores a body of 340 poems created by political prisoners who were accused of and imprisoned for anti-state activity in late 1940s and 1950s Stalinist Poland. Evaluating prison poetry as a historical source, I understand the process of composing a poem as the result of a prisoner’s need to document the world around her/himself, as a psychological activity that contained diffi cult prison experiences, as a negotiation of emotional and often conflicting states, and as a social practice through which prison poets affected themselves and the people around them. Situated somewhere at the intersection of the personal and political, poetry became one of the most powerful sites of resistance. In addition to evaluating prison poetry as a historical source, this essay also explores gender differences and similarities in the body of 340 poems discussed here and in the social function of the prison poems.
The Poetry of Male and Female Political Prisoners in Postwar Poland
Ayşe Durakbaşa, Rochelle Goldberg Ruthchild, Ana Pajvančić-Cizelj, Evgenia Sifaki, Maria Repoussi, Emilia Salvanou, Tatyana Kotzeva, Tamara Zlobina, Maria Bucur, Anna Muller, Katarzyna Stańczak-Wiślicz, Lukas Schretter, Iza Desperak, Susan Zimmermann, and Marina Soroka
Maria Bucur, Alexandra Ghit, Ayşe Durakbaşa, Ivana Pantelić, Rochelle Goldberg Ruthchild, Elizabeth A. Wood, Anna Müller, Galina Goncharova, Zorana Antonijević, Katarzyna Sierakowska, Andrea Feldman, Maria Kokkinou, Alexandra Zavos, Marija M. Bulatović, Siobhán Hearne, and Rayna Gavrilova
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