This article explores Paco Roca’s graphic novel La Casa (2015) with attention to the structuring role of architecture at two interrelated levels of analysis. At the level of theme and represented content, the comic employs architecture as a mediator of emotional connections and familial grief. At the level of comics form and visual narrative structure, artistic choices underscore the architectural properties of La Casa’s own construction. Repurposing the notion of ‘iconostasis’ from Andrei Molotiu provides a way of bringing together the reader’s self-directed perusal of the comic’s page and the characters’ self-directed navigation of their grief. The characters’ collaborative construction of a pergola as an architectural addition to their father’s house holds two meanings. It provides a degree of emotional closure, further contributing to the architectural theme of the comic, and it pulls the architectural structure of the work towards a cathartic narrative resolution.
A Land of Carnivals, Cocktails and Coups: Henri Bergson's Theory of Laughter and the Problems of Travel Guide Humour
Although fictional places have certainly been the hallmark of great literature (William Faulkner, Gabriel García Márquez, Juan Benet), a recent travel guide to the fictional land of 'San Sombrèro' shows that their manifestation in popular culture can be questionable. A Bergsonian reading (Laughter, 1900) of the guide's attempt to pair humour with contrived exoticism yields more discomfort than laughs.
Spatial and Social Alienation in the Documentary Film El tren blanco
Mixing transportation studies, film analysis, and urban geography, this article looks at El tren blanco (The white train), a documentary film from 2003 by directors Nahuel García, Sheila Pérez Giménez, and Ramiro García. In light of work by train theorist Wolfgang Schivelbusch and urban geographer Henri Lefebvre, the documentary's interviews with cartoneros—cardboard workers who ride daily into central Buenos Aires to pick up recyclable goods—speak to the alienation and spatialization of class that characterize the contemporary urban experience. Following an urban cultural studies approach, attention is balanced between the social context of Buenos Aires itself and the film as an item of aesthetic value. In the end, it is important to pay attention both to the train car as a space in itself and to the historical and contemporary positioning of the train in larger-scale urban shifts.
Eirini Kasioumi, Anna Plyushteva, Talya Zemach-Bersin, Kathleen F. Oswald, Molly Sauter, Alexandra Ganser, Mustafa Ahmed Khan, Natasha Raheja, Harry Oosterhuis and Benjamin Fraser
Max Hirsh, Airport Urbanism: Infrastructure and Mobility in Asia (Minneapolis: University of Minnesota Press, 2016), 216 pp., 80 black-and-white illustrations, 20 color plates, $25 (paperback), $87.50 (hardback)
Laura Bang Lindegaard, Congestion: Rationalising Automobility in the Face of Climate Change (Frankfurt: Peter Lang, 2015), 214 pp., $54.95 (hardback)
Neriko Musha Doerr and Hannah Davis Taïeb, eds., The Romance of Crossing Borders: Studying and Volunteering Abroad (New York: Berghahn Books, 2017), 302 pp., $90 (hardback)
Ehren Helmut Pflugfelder, Communicating Mobility and Technology: A Material Rhetoric for Persuasive Transportation (London: Routledge, 2017), 178 pp., 19 illustrations, $149.95 (hardback), $54.95 (ebook)
Christo Sims, Disruptive Fixation: School Reform and the Pitfalls of Techno- Idealism (Princeton, NJ: Princeton University Press, 2017), 232 pp., $27.95 (paperback), $80 (hardback)
Charlotte Mathieson, ed., Sea Narratives: Cultural Responses to the Sea, 1600– Present (London: Palgrave Macmillan, 2016), 281 pp., 5 illustrations, €93.59 (hardback), €74.96 (ebook)
Till Mostowlansky, Azan on the Moon: Entangling Modernity along Tajikistan’s Pamir Highway (Pittsburgh, PA: University of Pittsburgh Press, 2017), 240 pp., 25 black-and-white illustrations, $26.95 (paperback)
Steff en Köhn, Mediating Mobility: Visual Anthropology in the Age of Migration (New York: Columbia University Press, 2016), 208 pp., $30 (paperback)
Margaret Guroff, The Mechanical Horse: How the Bicycle Reshaped American Life (Austin: University of Texas Press, 2016), 295 pp., 10 black-and-white photographs, 5 black-and-white illustrations, $17.95 (paperback)
Melody L. Hoffmann, Bike Lanes Are White Lanes: Bicycle Advocacy and Urban Planning (Lincoln: University of Nebraska Press, 2016), 210 pp., $40 (paperback)
Alexander Braun, ed., Winsor McCay: The Airship Adventures of Little Nemo (Cologne: Taschen, 2017), 288 pp., $15 (hardback)