In her justly influential work on nineteenth-century strategies of self representation, Subjectivities (1990), Reginia Gagnier describes the dominant characteristics of the ‘high’ literary tradition of nineteenth-century auto/biography as consisting of a meditative and self-reflective sensibility; faith in writing as a tool of self-exploration; an attempt to make sense of life as a narrative progressing in time, with a narrative typically structured upon parent/child relationships and familial development; and a belief in personal creativity, autonomy and freedom for the future.
Gendered Authorship, Literary Lionism and the Virtues of Domesticity
Contesting Wordsworth's fame in the life writings of Harriet Martineau and Thomas Carlyle.
David Amigoni, Simon Avery, Alexis Easley, Pam Hirsch, Tim Marshall, Andrew Maunder, Marie Mulvey-Roberts, John Plunkett, and Valerie Sanders
Notes on contributors